#also what part of I DON'T WANT THESE does she not understand

[verysadlesbian]

Now that I have sat with my thoughts for a couple of days, I want to talk about some things:

There are too many people trying to defend Caitlyn's actions, so I have to say: NOTHING, and I mean absolutely nothing, justifies fascism. "Oh but she's grieving and blahblahblah" you know who else was grieving?! The mother of the kid Jayce killed in season 1. You know who else?! Vi and Powder that saw enforcers murder their parents, just like many other children from Zaun. Caitlyn destroyed her mother's legacy in the police brutality™️ operation, you understand how fucked up this is? Her mother's recording is saying "the people from Zaun deserve to breathe," and she did it anyways. If you sympathise with Piltover, you're either part of the problem or naïve enough to fall for fascist propaganda.

Ekko is the only real one. Not a single slightly evil bone in his body. Everything he does, he does for his people, not in a persuit of power, or revenge. He's genuinely good, so much so that he's willing to hang out with not only Heimerdinger, but also Jayce just so he could protect his community. He deserves so much better and I'll be heartbroken when he finds out that Vi was involved in Caitlyn's operation.

I don't know how Vi can forgive Caitlyn after what happened. I know I wouldn't. It just goes to show that you cannot trust that privileged people are going to be different just cause they were nice to you. Viktor found that out in season 1 and Vi is finding this out now.

Do you guys think the black rose is gonna pretend to be Mel?! I don't play LOL, but it is to my understanding that the black rose can make clones, so it'd be obvious that they're gonna take Mel's identity

Saw some people on twitter and tiktok (of course they were there) denying that jayvik has heavy romantic undertones by stating "they're friends! They're like brothers! Why everything has to be gay now?" and EVERYTHING HAS TO BE GAY CAUSE I SAID SO, NOW SHUT UP! But seriously though, I understand that to cishet viewers, their relationship might seem strictly platonic, 'cause they lack the eye that we, queer people, have for these things. And that's okay. Not everyone needs to understand the nuances of a homoerotic friendship. But in the same breath, they're quick to say that "Viktor was thinking about Sky, so obviously he's straight" and that pissed me off, cause: 1 - have you looked at him?; 2 - He feels responsible for her death (cause he was)! He's thinking about her because he feels GUILTY! that man was not interested in Sky whatsoever; 3 - it's so heteronormative to think that a man and a woman can't be friends, they're so adamant in denying jayvik cause "they're friends!" but they do the same fucking thing!; and finally 4 - HAVE YOU LOOKED AT HIM???

Anyone that sides with Piltover would probably be a zionist as well. I don't have to explain this.

The trio "Sevika, Jinx and Isha" is probably my favourite thing in Act 1, I just can't get enough of them.

[kinardsevan]

i wrote a whole ass psychology breakdown (for the first time in FOREVER) about the break-up. enjoy (if you so choose):

so I've been reading a lot in relation to Tommy's speech during the break-up (and have actually gotten through the scene several times now, mostly as a creative reference for these fix-it fics. I think one of the first things that I've seen completely tossed aside (that bothers the shit out of me as someone with over a decade of therapy treatment and a psychology degree) is whatever trauma Tommy carries.

We know that there are issues with his dad. We know Lou's lore behind him is that he spent a lot of his childhood alone. We don't know anything in relation to his mom, but she may or may not be the cause of more trauma. We know that his way of dealing with abuse of authority is to shut down and follow the leader, which is likely a mix of his military time and growing up in his father's household (and when I say this, I mean from what we saw of him under Gerrard's command). This is a person who has put years into getting himself into some version of okay after all that he's endured, and we know he still generally does it on his own.

To that end, here, have my breakdown of the break up (roughly right about the time Buck says "I want you to move in with me"). (with pictures!)

Prior to the offer, we watch Tommy process through Evan's explanation about his relationship with Abby, things being transformative for him, etc. We have to bare in mind that this is where we also start to get what I've dubbed "starry-eyed Buck". He's so in the throes of what he's saying that I don't think he's really considering the connotation of his words. At the same time, Tommy doesn't know what lore Evan is about to drop him about this prior relationship. Remember that he now has to contend with the fact that they both have strong opinions on their relations toward Abby, and Tommy can't know if their feelings toward her as a person will be the same. I think Lou played this beautifully, appearing anxious and apprehensive as Tommy listened to Evan explain that Abby was transformative for him. Then he shifts into how Tommy has been transformative for him (which, he has, and we as the audience know this, but we understand it from a bigger POV than what Evan is saying with his words.)

There have been posts about Evan putting Tommy up on a pedestal throughout this speech (and really, possibly even sooner, but this is where we really get it expressed). Tommy tries to rectify this to a degree by countering "I wasn't always that way".

To that end, we then get Evan telling him "I know, and it just makes me admire you more." Tommy gives a bashful smile, clearly heartened by the statement, and even opening his mouth as though he's going to respond to it in some form. It would be interesting to know what was on Lou's mind of what (if anything) he thought would've been said there. Are there lines that were removed in this scene? Was 'I love you' actually going to come up? We can't really know. However, there's this part of me that thinks that Tommy thought that they were having a discussion on the depth of their relationship which would've possibly brought those 7 letters to the equation. Either way, this entire bit of facial acting is SO important, because it speaks volumes about how Tommy feels about how Evan feels about him.

From there we get the "I want you to move in with me, and this, THIS, THIS is such an important point for this ENTIRE scene. It's two seconds, but it holds SO much for the narrative. This man, who seems to be on the verge of ...something, clearly (who knows if I Love You was on his mind, or if it was just the fact that Evan was expressing how much he cares about him.) The reason this is all so important is THIS REACTION:

Now again, we don't know Tommy's trauma, but the joy literally drops out of his expression and shifts to panic. Now, speaking solely from the standpoint that these two haven't even said "I love you" yet, his boyfriend steamrolled over him from a possible declaration of love straight to moving in together without discussing semantics. Further, it's not even "I want to live together", it's "move in with me". We don't know much about Tommy's house (because these shitheads haven't built him a set yet), but we know that he has a HOUSE. With a GARAGE. Buck lives in a LOFT. Regardless of how much of an asshole this makes me sound like, it's crawling with red flags. It comes across as "fit more into my life" instead of "lets do this thing together". Further, if that's not bad enough, mention of getting engaged and married is thrown at Tommy as well, which holds two major bits of information: One, these are on Evan's mind. We've NEVER heard him talk about getting engaged or married to anyone. This speaks to the importance of their relationship to him, but the lack of I Love You also speaks on his own trauma. If we truly are getting the rom-com trope, at some point there's likely to be a conversation about why he lept over it (*cough* Taylor, his parents *cough cough*). Meanwhile, as he's continued in his starry-eyed speech, this is what Tommy is giving:

Now for those who don't know how to spot it, this my friends is a PANIC RESPONSE. The shift forward, the move to get up, the literal deep breath. He's having a panic attack. Now, obviously we don't know what brought this on, but god-willing, we WILL get the answers.

Now, to his own point, Tommy doesn't just straight up pop Evan's pink bubble. He does express that it's a sweet sentiment, but that it's a bad idea. To which point we get:

"Evan, that is so sweet. But I can't move in with you." "And why not?" Because. I know how this ends." "Uh, what-what's that supposed to mean?"

At which point, we clearly get the qualities about Evan that Tommy likes. "Incredible guy. Big-hearted. Hot as hell. Impulsive." I don't feel that the expression here matters as much as his tone of voice, because we can see on his face that he's expressing these qualities from a good place. The next point of reference isn't until Tommy's next line, when he says that Evan's reaction is out of things being "new and exciting".

To that end, the way Evan is talking to him makes this statement valid. He's not talking to Tommy like they've been together for six months and have built a relationship that should be moving in this direction. (For the tenth time I will repeat, he couldn't even dignify whether he was in love with Tommy when Josh asked).

Furthermore, I think when you consider this part of the scene, you also have to consider the strain in Tommy's voice. Something about those concepts (living together, getting engaged, married) is terrifying. It definitely gives the impression that Tommy has been faced with some version of this before and he got burned. Why is this important? Because of this:

"I'm saying no matter how bad I want it to be, I'm not your last." Those 9 words are important on their own, but when you couple them with the expression on Tommy's face and what we've just seen him go through, there's a clear point to the fact that he's been through this before. I also think that there can't be enough importance placed on the way he intonates "how bad". This is not a man saying no because he doesn't want to. He's backpedaling because he's sure that he's going to get burned. We get this point further driven home with this exchange:

"I'm your first." "But hey, they can be the same thing." "But, they usually aren't."

See this doesn't read to me as someone who's scared because he knows Evan has never been with another man. They're both fully grown adults who have had multiple relationships. What this speaks to me (now) as, is someone who has let someone convince him before that he would be their forever, that they were all in, and then broke him. When you include his childhood trauma and whatever abandonment issues it's left him with in correlation with all of this, yes, it's still an extremely biphobic set of lines. But in the context of what he's expressing and why, it's not about telling Evan he needs more experience, it's about telling him that he doesn't believe that he'll want to stay settled down with him six months, a year, etc., down the road. And THAT my friends, is abandonment issues 101. "Everyone else has left, so it doesn't matter that I'm in love with you, because you will leave too, and I need to protect myself from that."

Following that, we get this: "if I were to move in with you, you wouldn't mean to, you wouldn't plan for it, but you'd end up breaking my heart."

This line is SO important, right next to Evan's exchange with Josh about his relationship with Tommy. Why? Because even though neither of them have said it, it spells out that these two are in fact in love with each other, even if they haven't said it.

"I don't think I could deal with that." Tommy is fucking GONE on him. He's expressing that if he gave himself fully over to what Evan's referring to, losing him would break him. Again, we don't have the full picture on his trauma, but we know there's a mountain there. It's also worth noting again, that the intonation he uses in these statements clearly come across as someone trying to reign in their emotions and keep it together. That says to me that we're dangeously close to touching his trauma.

I don't feel like I have to include the final few bits of the scene in gifs because they're all over the site now, but the next line gives over the fact that he hasn't really been open about his trauma to Evan, given that his immediate response to expressing all of this is "I should go". This kind of reaction is generally brought on as not being accepted for having certain feelings. Now, obviously Evan is caught off guard by the entire interaction, the same way Tommy was (but for different reasons), so we have to take all of that into account when we think about the fact that instead of countering Tommy's logic, he asks instead if Tommy is breaking up with him.

Body language is also so important here for Tommy. His shoulders are hunched in, we see him wipe his face (meaning there are likely tears), and when he turns around, he's so caught up in whatever wave has taken him over that it takes Evan asking him for Tommy to state "yeah, I guess I did" about breaking up. Further, there's the fact that he states that he didn't see the break-up coming, which goes back to my point at the top of this post, that he clearly thought the conversation was going one direction, and instead it goes the other. From this point, we have Evan reeling, because he wants to create more of a life with Tommy, while Tommy is shutting down because of whatever is holding him back.

Finally, as I've referenced before, we get this line:

"Should've known that parking spot was too good to be true."

That line makes zero sense out of context, but in consideration of someone trying to lighten the weight they're carrying (which you can literally see by the way he has his hand on his neck, which you generally only see people do as a stress response). You can also double entendre this statement that getting to be with Evan was too good to be true. We get that little inhale with the smile, and I swear to God the only time I've seen that kind of reaction is right before someone cracks.

And then in closing, we get the "I'll see you 'round, Buck," our closing gut punch. Evan is still reeling, clearly. His face is very "what the hell just happened". Tommy is clearly not okay. This entire scene has opened an entire can of worms on them without a whole lot of answers.

Now, I've owned the fact that basically from the end of 806, I felt like this had to be a swerve, and that there has to be more to the story. I've also pretty much owned the fact that if the writers did actually just do this for kicks and don't have a resolution for it, I may not keep watching. However, in the context of the fact that, for the moment, I'm choosing to put hope in some kind of resolution, these lines make so much more sense. It is worth noting though, most people in the fandom, let alone the general audience, aren't going to psychologically break this shit down line-by-line. They're not going to lean into whatever trauma Tommy has that we don't know about yet. Its why the internet has been a mess since Thursday night. But it's also why I talk about how, when this situation gets resolved (because right now I refuse to say if), Buck has to give up the loft and give more of himself. Tommy, by the nature of the show, has fully immersed himself in Evan's life, but we haven't seen or heard mention of Evan doing so at all in Tommy's life. That doesn't mean he hasn't, but we haven't gotten any version of that. So when I say Evan needs to give things up... it's about matching what he's asking Tommy to give up. Because at the end of the day, when this circles back around, he's effectively going to be asking Tommy to trust that he won't break his heart like others have, and when you have a lifetime of abandonment issues and have learned to cope by being hyper-independent and alone, moving in the opposite direction is more terrifying than anything else. ESPECIALLY when you love that person, which we saw Tommy spell out. Evan has the ability to break him (and probably already is via this cut-off-at-the-quick break up.)

So, I'm really gonna need these shit heads to figure out that they'll be more miserable apart than they'd ever be together.

That's all. Thanks for coming to my TED talk.

[eupheme]

you writing is so beautiful. the way that logan tries to stop her - how blunt and earnest he is and the worst person for the job (but also best, in his own way) but he's trying, gosh that got me. love the line about logan's tailights being a lighthouse, guiding her back out in all that dark, and then trying to make her promise she won't go back.

and how they bump into each other again, the way he takes time and listens to her each time had my heart aching. the way you write her grief felt so real (I really appreciate how you wrote this fic - my own mental health over the past few years has been rocky and this felt so - gosh, I don't know, relatable? hopeful? wonderful? to read), and the fact that he understands in a way that no one else she knows does - it such a rough connection but you have me feeling glad for each of their encounters.

“Logan.” He sighs when you frown. “I know, not how you remember. This is what I look like during the day; blessed with incredible good looks at night and, well,” he gestures at his face that’s covered in scars, "this, during the day. Bit of a reverse Princess Fiona situation–”

Wheezing omg - perfect Wade introduction. And then that she goes back, and I that she hates but I love that he is getting a handle at how she thinks, how he makes her be honest. And gosh when he opens up in return, that fondness he had for Wade, how he's still hurting from before, I was inhaling this.

Loving 'DVDJ' (and the F9/Wade & Logan references omfg) and I so feel for reader and how hard it is to put yourself out there, but what a great group of people for her to surround herself with. And the whiplash with her finding him like that, how it still comes back to him after all the healing he's been trying to do, all of this made my chest ache.

He’s talking about his team from there, you realize, and something clicks. All this time, you thought this was about him being unable to die due to his mutation, but it’s more than that. It’s shame, remorse, grief, survivor’s guilt, all wrapped into one. // “You did what they would have done. And now you… you need to allow yourself to honor their memory without feeling like you have to destroy yourself to do it. You deserve that.”

Ahh this made me want to cry - I love how you dug into his grief in this. How she's able to help him this time, find the words he needs to hear. And ahh I love how you write everyone - Vanessa, Wade, Althea. Logan's chip! I am tearing up again, especially at this part:

“I have people I care about again, and um, it scares me. ‘Cause I don’t want to let them down, and every day I feel like I will because of all of my… past shit.” He pauses and swallows hard before he continues, “They show me so much kindness and understanding, that… that even though it’s fucking hard, I want to be able to see myself the way they see me. And allow them to care about me without feeling like I… have to earn it all the time, without destroying myself to do it.”

oh!! 🥺💖 and then I love the reveal that the cliff was a space in his world, even with their shared history of it. like they were always meant to meet, the “Think it took me coming over here to find reason in it.” had me like !!!! - sad and lovely is so right.

“‘sides, I don’t know if I would have a lot of… consideration for people’s boundaries.”

this made me laugh (reference to Hugh's interview right??) omg. and the way you pace things, how they slowly get better and fall into place for her, it makes me so proud, even just as a reader.

“Oh, yeah, baby. Wolverine goes both ways. All the ways, really.” He grins. “We’re so alike.” // It isn’t lost on you he doesn’t deny a thing.

Grinning, oh my god. And how sweet she is with the gift and how Wade wants to take a new photo of his new world - my heart. And then how seeing Vanessa and Wade makes her think about more, when at the beginning that was impossible - weeping.

Everything that’s been happening, that you’ve been feeling, all the times something happened between the two of you that you couldn’t put your finger on… it falls into place with a well-timed, completely unrelated question and a glance at him.

You like him.

!!!!! god, what a realization. and how she can't handle it, so real. And how he comes through the rain to check on her, oh my god. That he checked, and how scared he must have been!

“I– No. Logan, this isn’t about Wade or Vanessa, but it’s about… what they have. Something that’s real, but imperfect, and that’s what actually makes it perfect, and I just… I was in a really bad place for such a long time, I didn’t give myself time to even think about… I haven’t felt myself wanting for so long,” your gaze flicks up to his. “Seeing them just made me realize there’s so much left that I still want.” // His expression softens, the balled fists by his side loosen, and his eyes search you, as if to see if that thing you want is him. There’s no doubt he finds his answer; you’re ever the open book when it comes to him, and your pulse quickens while he silently observes you.

Oh. And oh my god that perfectly imperfect kiss, the fact he's been wanting to for ages!!!!! I am screaming. “Wouldn’t be the first time we figure it out together, huh?” !!!! (the vein appreciation, loved that)

“I’ll make it good for you,” he promises. “You want that?”

eep! 😳💖 the smut was so perfect, so good. I am obsessed with how soft he is for her -

“Let me give you something to come on,” he murmurs, before fitting a finger at your entrance.

LOGAN 😳 the desperation with how they’re still on her table, how sweet and pleased he is - the “then get it out”, omg he is so filthy. This was amazing (that stomach vein yesssss) just absolutely steamy as hell and so so well-written and I had to keep taking breaks to stare at the wall. Phew! Fucking her against the wall!!!! I love the use of the strength here and yessss a long night indeed!! 👀💖💖

And gosh, the last segment. No words, my heart is tied up in the sweetest of strings and knots. This was really something special. I already want to reread and pick each line apart. This was Logan and this is canon to me and wow I just loved this so much and I hope you are so proud of this fic because you really really should be. I am going to be thinking about this for a long time 💖 (and I would love to hear about the title, is Logan her cardinal?)(like a sign of hope and new beginnings?)

Cardinal

Pairing: Logan Howlett ("Worst" Wolverine) x f!reader

Rating: Explicit (for themes and smut).

Word count: 16.6k

Summary: At the edge of the world, someone from another keeps you from stepping off.

Tags/Warnings (Please, read the warnings!!): Post-Deadpool & Wolverine, female reader (female anatomy etc + 2 mentions of hair long enough to fall into your eyes), strangers-to-lovers, depression, suicidal ideations, suicide attempt and mentions thereof, addiction, drinking alcohol, drugs (mentioned not used), panic attacks, sobriety meetings, anxiety, recovery, co-dependency vibes, sprinkles of soulmateism, explicit smut (oral and unprotected PIV), happy ending (yay!!). If I forgot anything, please let me know!

Notes: Deadpool and Wolverine re-triggered my X-Men obsession and what started as a means to write some smut actually became this idea about two broken people who shouldn't even have met in the first place finding each other. There's a lot of me in this story, more than there's ever been I think. I'm sorry for this glimpse into my head, and I'm sorry if this isn't as Reader-insert as it should be, but... I'm not that sorry, you know. Huge thanks to @javier-pena , for not only reading this over and fixing so many embarrassing mistakes, but also for saying she'd read this even if it was 20k words and always believing in my abilities as a writer, even when I sometimes didn't.

If you want to read the smut as a standalone, you can! Just CTRL + F (or search in page) for 'Logan reaches for' and read away.

THE LOOKOUT

With closed eyes, you inhale the cool, December air, before looking down at your feet. Here, at the edge of the lookout, the grass has been trampled. You imagine friends taking bets on who dares get closest to the edge, lovers making memories, families taking pictures. It’s strangely soothing that maybe you’re not the first to stand here to do this. 

Far below your feet, the water laps at the rocks. The force of it depends on the weather and tonight it’s violent, with big splashes and crashing sounds. The wind tugs at your coat, pulling you towards the water as if to help you along, making you look up again as you hold your balance. In front of you, the line of the horizon is dark but visible – it would have been impossible to make out if the moon hadn’t been as bright as it is.

It’s like you’re looking at the edge of the world.

During the weeks that fall had made way for winter, you scoped the place out a couple times. The first time you stood at this cliff’s edge, the place it took you to mentally scared you so much that you got back into your car and broke down in tears. The next couple times, things became more and more serious, as your life crumbled around you, and your feelings numbed, and nothing seemed to matter anymore.

Something had crept in while you weren’t looking, settling somewhere behind your eyes and spreading out to make a home behind your ribs, slowly but surely changing you. And once you realized it, it was already too late. It had grown large, became jilted and jealous, like it wanted all of you. It pushed away everyone and everything you held dear, until it was just you and that… something.

Especially during the quiet of the night, the lookout became soothing, a strange sense of familiarity enveloping you each time you were here. It was addictive and pretty soon, it became a daily routine to visit. But lately it’s been losing its shine, your feelings here dulling and darkening too. You’re exhausted, fed up, tired of giving it more of you.

Today you want it to be your last time here. 

You’ve had countless hours to contemplate what it would be like, imagined – all but romanticised – how the cold water would paralyse your limbs if the impact wouldn't do the trick. You read somewhere that it’s apparently like falling asleep when the water finally fills your lungs. You’ll be gone, but the thing will be too.

The thought makes your eyes fill with tears, but not from fear. All you feel is relief, like it’s right, how it’s supposed to be. It makes you smile despite everything, and–

“Hey, stop!”

A voice behind you thunders through the silence and makes you shriek into the night, dirt toppling over the edge of the lookout below the shuffle of your foot. A string of curses follows, heavy footfalls behind you indicating that the intruder is approaching you.

“Fuck off!” you throw over your shoulder, your voice a roar with how it’s amplified by the wind. 

After, your throat closes up, fighting the angry tears over the fact that you can’t even fucking kill yourself in peace. Never have you seen anyone here at night, never. What you hate even more is how it breaks your momentum. The haze that was surrounding you is pierced, and your body’s baser instincts kick in. Adrenaline suddenly pumps through your veins, making your legs tremble, your heart hammer, your body scream for you to step back from where you’re standing. Your anger, however, has you nailed to the floor. 

You almost miss the much softer, “Hey,” as a man steps into your peripheral vision. You pretend like you don’t hear him, or see him – you simply pretend he isn’t there, focussing on getting back into your previous mindset. 

But then he takes his hands out of his pockets.

“Don’t fucking touch me,” you warn, hating how your voice comes out trembling – weak.

“Easy.” He holds his hands up in surrender. “Wasn’t planning on it.”

You stand there together for what feels like hours. You will yourself to not let it affect you, setting your jaw to keep your teeth from clattering on account of the cold, allow the wind to blow your hair into your eyes without brushing it away. Even when it begins to rain, you don’t move, don’t blink even once more than you need to. From the corner of your eye you watch the man shove his hands back in the pockets of the brown leather jacket he’s wearing, and you quietly celebrate that your surroundings are fazing him more than they are you.

“You know–” he begins.

“I’m not really looking for a conversation.”

“Me neither,” he immediately counters, suddenly impatient, “so I’ll get right to it: You planning on jumping? Because if you think the water’s gonna be nice to you, you’ve got that wrong. You’ll end up in there feeling everything, that fall isn’t gonna do shit.”

Having expected a gentle approach, his bluntness and his tone knock the wind out of you. You cock your jaw, the shame creeping up your body the first bit of warmth you’ve felt in a while. Your cold fingers ball to fists as you will yourself not to care. Yes, his words and the way he's shatteríng your expectations with them sting, but you don’t even know this guy–

“And there’s nothing fuckin’ peaceful about it, it’s just panic. Right before you go too far…” He raises a fist and holds it against the center of his chest, “...there’s this burning right here that’s hell.”

“And what makes you such an expert?” you finally spit out.

“Died like that a couple times,” he says without waiting a beat.

The casual statement of something so bizarre beats your resolve before you know it, your head turning in his direction. “‘A couple times’?”

“I, uh…” You watch him hesitate, the moonlight illuminating the tick of his jaw, the bob of his throat as he swallows, the way his chest falls as he sighs, “Let’s just say I can’t die.”

Before you can stop yourself, you snort at that. “That must fucking suck.”

He barks out a laugh, “Got that right.” It startles you when his head suddenly turns to you, when he looks you in the eye for the first time. “But trust me, being down there isn’t much better.”

There’s something in the way he looks at you that makes you waver. You can’t really place it, or decipher why it makes you want to open up to him. Maybe it’s because you’re freezing and it’s your body betraying you, tricking you into moving so you can generate some warmth, moving your lips to keep them from going blue. Or maybe it’s simply because he’s a stranger and it’s so much easier to be honest when there are no consequences.

“Things just feel so…,” you begin, voice shaky. Every possible way to end the sentence crosses your mind, seemingly all wrong, before you settle on what’s closest to how you feel, “endless.”

To your relief, he doesn’t say anything. Doesn’t tell you to give it time that it will get better, or any of the other bullshit you’ve heard from all the other people that had been in your life and left a long time ago. You do find something else in the shift in his eyes, something you haven’t encountered before.

Understanding.

It might be worse. If anything, it’s overwhelming, making your eyes dart away from his as you sniff. 

The wind still tugs at you, the waves still hit the rocks, but your moment seems to have passed. It’s a sobering conclusion, a twisted version of wrong place, wrong time. Or maybe it was him who was at the wrong place at the wrong time. Either way, the outcome is the same.

You take a step back, and another, but it takes considerable effort; you hadn’t taken your numb legs into consideration. You stumble, falling back on the dewy, cold grass, not quick enough to catch yourself on your hands. With a groan, you move to sit upright.

“Shit. Hey, you still with me?” The stranger kneels next to you, fingers lifting your chin to look into your eyes. “Jesus, you’re fucking freezing.”

“No s-sh-hit,” you retort.

He sighs, offering you a hand so he can pull you up. “C’mon, let's get you warmed up.”

– – – – –

Logan.

That’s his name. 

It’s how he introduced himself, anyway, after he suggested you follow him. To his credit, he did offer to drive you, but you didn’t want to leave your car in the parking lot of the lookout. Logan waited 15 minutes for you while you put the blowers on the highest, warmest setting and waited for the feeling to return to your limbs. After, his brown truck led the way here – here being some hole in the wall, 24 hour diner. You could have not followed, but the drive was kind of mesmerizing; the night seemed darker than usual, and Logan’s tail lights served as a lighthouse.

Outside, the diner is all Christmas lights and flashing signs, but the interior is like something straight out of Twin Peaks; booths to the left, red barstools to the right, a girl that looks too pretty and too young to be here standing behind the counter. There were two other patrons you spotted along the way as Logan led you to one of the back booths. Once seated, Logan studied the pamphlets–or pretended to, more like, because as soon as the waitress came up he ordered two whiskeys and nothing else.

Between then and now, as you nursed your drink sip by careful sip, you hadn’t learned much more about him other than that he could knock back a glass of whiskey like he got paid to do so. And in truth, you like it this way; preferring silent company, the droning of the machinery behind the counter and the quiet hum of a song on the jukebox next to the entrance. The white noise helps to distract from the white noise in your head. Settling back into the leather cushions of the booth, you let some warmth seep back into your body. Opposite you, Logan does the same. 

Some moments after you finish your drink, one of the waitresses walks up to your booth to ask you about a refill, like she’s asked Logan twice now. You’re handing her the glass when Logan says, “She’s had enough.”

Your head whips from her to him. “Excuse me?”

He doesn’t say anything, and from the corner of your eye, you see the girl leave. With your glass. Logan’s is on his lips, his eyes observing you over the rim, looking at you like he– Dammit. You sigh deeply, a sense of anger filling you. You don’t need this, least of all from him. When you stand from the booth, those eyes follow you, making you voice your observations,

“Quit pitying me, Logan.”

“I’m not,” he says before taking another sip. “You still have to drive.”

You quirk an eyebrow at him. “And you don’t?”

Logan shrugs. “It’s different for me.”

Anger is still prevalent in your voice when you ask, “Well, let me guess, it’s another case of ‘I died like that a couple times’?” 

He hums.

“And how does that work?”

“Regenerative ability,” he sighs. Another sip before he elaborates, “X-Gene.” 

The admission makes you plop back down in your seat. Well, that explains things – he’s a mutant. You’re not familiar with that world, but you know enough to know it meant that. It isn’t like you couldn’t have deduced it before, but truthfully, you kind of thought he was bullshiting you as part of some tactic. Now, his actions and words make more sense: He really knows what it’s like to... That’s why he had that look on his face. Suddenly, you see him in a different light–

“Now who’s pitying who, hmm?” Logan asks, giving you a thin-lipped smile that doesn't reach his eyes as he sets his glass down on the table.

“I’m not, I’m just… processing. So this...” you lift his glass, swirl the contents around, “...doesn’t even affect you?”

“It does. For a few seconds.” He plucks the glass back from your hand, and throws the whiskey back with one gulp. His pupils dilate, pushing the hazel of his irises out until his eyes are almost black for a second, two… before going back to normal. “But if I chugged the bottle, I’d pass out.”

“Well, so would I,” you say with a chuckle. “So maybe we’re not that different after all.”

Just as the corner of his mouth lifts, your smile falls, because… it isn’t true; you’re very different. You’re pretty sure you don’t have what it takes to do what he did tonight. To care enough to do it. To sit with a stranger and hear them bitch and moan about being denied a drink. A feeling creeps up on you, sticky and uncomfortable, like you’ve overstayed your welcome—burdened him.

“I should head home,” you say, standing again.

Lightning fast, Logan’s hand shoots out to close around your wrist. “That really where you’re going?”

“Yes,” you reply. When you pull your hand back, he doesn’t let up. You fish your car key out of your pocket with your free hand, voice tighter when you say, “Let me go.”

“Just promise me something,” he says, eyes as dark as they’d been earlier, yet his drink has gone untouched since. “Don’t go back there again.”

“Not making promises I can’t keep,” you say, giving him a wry smile. “To strangers, but least of all to myself.”

He sighs, and lets you pull yourself from his hold.

THE CRAVING

New Years comes and goes, and you quickly discover that it was foolish superstition to think that it might change how you feel.

You find yourself in some club, a drink in each hand. You hate to admit it, but Logan’s words scared you out of your original idea and the only time you can bear to think of how to move on from it is when alcohol soothes the embarrassing grief of your shattered, macabre fantasy. It’s not a good way to deal with things, but it works.

There’s a part of you that welcomes feeling anything at all, but that… something inside you is busy trying to squash it. 

It’s getting somewhere, because you have no idea how much you’ve already had to drink, but you’re buzzing pleasantly. Adding to it, you knock both drinks back, slamming the glasses on the bar before spinning around and facing the crowd of dancing bodies. The music sucks, the dance floor is cramped, you’re tired… The truth is that you’re too old for this, but it’s easy to escape here, surrounded by strangers. You clumsily drag the back of your hand over your wet mouth, push your sweaty hair from your eyes, and join them.

The past couple weeks, you found yourself craving something. Contact. And here is where you can get your fill; a hand on your waist, lips on your ear, the music too loud and yourself too drunk to even comprehend what’s being said, but never more. You want them to get close, but never too close.

After some time – could be an hour, could be 10 minutes – you make your way to the bathroom. It’s quieter here, the dulled thump of the music making the time you spend there feel slow and syrupy. 

When you exit the stall, you bump into someone.

It’s a man. The dark hood over his head obscures his eyes, but you can’t help but think he’s looking right at you when a bright, almost unnatural grin appears on his face. It draws you in like a magnet, more so when he says, “Need something to take the edge off?” 

Curiously, you watch as he opens his palm, long fingers unfurling slowly until they reveal a small plastic bag in his hand. 

“First time’s on the house.”

You have no idea what it is exactly, but your eyes widen. This is new territory for you, and all the possibilities it opens up are suddenly invading your mind. As if on auto-pilot, you reach for the place where you keep your money, the sound of the door opening completely lost on you.

A hand closes around your bicep, pulling you aside with a quick yank of an arm.

“She isn’t interested, pal.” 

It’s another man, who effortlessly tucks you half behind him. Before you can protest beyond an indignant huff, there’s a sound, like a sword being unsheathed, and you catch a flash of red, and of knives. Frowning, you try to get a better look, but your view is obscured by the man’s shoulder. The hooded man seems undeterred, regarding the weapons with the same sickening grin, before leaving the bathroom, muttering something that you don’t understand on the way out. The sword sound returns, the man twists around, and–

“Logan?” you slur in disbelief. 

Logan doesn’t reply, instead takes hold of your arm again, making you follow him out of the bathroom. There he stops the two of you to murmur something to a woman wearing the same clothes as him, before tugging you along again. You’re stumbling after him on account of his pace and the iron grip he has on you as he leads you to the back door. He pushes it open with enough force to make the hinges creak, a gust of wind blowing in your face. It’s a contrast to go from the crowded, sweaty club to the silent, cold back-alley where tall brick walls and employee cars cage you in. You shake your arm and Logan’s grip loosens – another and he lets you go.

“How did you even find–” You cut yourself off, eyes widening, “Oh, my god, are you following me?”

Logan scoffs, narrowing his eyes. “Oh, please, do you think I have time to follow you around all day?”

“You’re here, aren’t you? You and your fucking…,” you gesture wildly into the air at him, “savior complex.”

“I work here,” he growls. When you give him a look, he adds, “It’s temporary. ‘Sides, me and my savior complex are the reason that creep isn’t selling god knows what to you in that bathroom right now!” His voice is a roar, echoing off the walls around you.

“Maybe I wanted that creep to sell god knows what to me in that bathroom,” you say, doing a poor impression of his voice, before turning and walking away from him.

Logan sighs. “Where are you going?”

“I’m leaving.”

“And then what, huh?”

“I don’t fucking know, Logan,” you say, twisting around to face him again, arms spread out by your side. “Figure out a new way out of this.”

“Yeah? Third time’s the charm?”

“Why do you even care, huh? You don’t even know me,” you say. Almost immediately, you let out a bitter laugh as your own words hit your ears, a sad realization dawning on you. “But I guess that makes two of us.”

It’s not like you expected him to, but he doesn’t answer.

“You know I used to like myself? I used to smile, I used to have friends, I used to be more sober than drunk. But this feeling, it takes… everything.” You raise a fist, hold it to the center of your chest. “It takes everything I love, pushes away everyone I love, including myself. It eats me up, and wants more and more, until I’m something I’m not and until I’m so far away from that version of myself, my old self, that it feels easier to just fucking–” you pause with a wet gasp for air.

“Destroy yourself,” Logan finishes for you.

Your chest heaves, an unshed tear clings to your lash line. “Exactly.”

He takes a step closer to you. “Let me take you home,” he says, voice gentle. 

You should hate the implications of that gentleness, but you don’t. In your drunk state of mind, it’s easier to admit it’s nice that someone understands, that someone’s there to stop you from going too far… 

Tomorrow, when some of your pragmatism returns, you’ll deny this embarrassing thought ever occurred; if relying on other people worked, it would have worked a long time ago, and you wouldn’t be standing here with him. If you’re lucky, you might even forget this entirely, and wake up with a hangover that you’ll enjoy a little too much because it feels like a punishment–

“What about your job?” you ask with a sniff.

Logan’s palm finds the space between your shoulder blades with a gentle push, the warmth of it seeping in through your clothes, and he leads you to his truck. “They’ll manage without me.”

– – – – –

When you wake, your world is tilted sideways, a blanket is pulled up to your chin and there's a pillow under your head. They’re not your own; the blanket is itchy and the pillow’s too small. When you try to move your legs, they stick uncomfortably to the material below them, and you realize you’re on a leather couch. You squint at the light that comes in from a window across from you–

“Mornin’, sunshine.”

The voice startles you, eyes shifting to focus on the source: A man lying on his front on the floor, chin in his hands as he kicks his feet back and forth in the air. 

“Wish I could say it’s a pleasure, but it hasn’t been very pleasurable. You’ve been barfing up the place since the moment you stepped inside. Kept poor Al up all night. Her ears are sensitive,” he adds with a whisper. “But don’t worry, she left about an hour ago.”

“Who are you?” you slur, blinking against the light.

“Logan.” He sighs when you frown. “I know, not how you remember. This is what I look like during the day; blessed with incredible good looks at night and, well,” he gestures at his face that’s covered in scars, "this, during the day. Bit of a reverse Princess Fiona situation–”

“Cut it out, Wade,” comes the sharp protest from next to you. With considerable effort, you turn your head and see the actual Logan, slumped back in a recliner next to the couch, rubbing some sleep out of his eyes while motioning for the other man to go.

“I’ll let you two talk.” Wade winks.

Logan stands when Wade does, walking from your field of view. Your head is scrambling to catch up, trying to piece together what happened last night, but only coming up with bits and pieces.

“How are you feeling?” Logan asks as he makes his way back to you, handing you a glass of water.

You flinch when the front door closes behind Wade with a bang, before taking the glass from Logan and taking a few thankful sips. “Like shit.”

“Yeah,” is all he says as he sits back down.

“What–”

“You fell asleep in the car. Didn’t know where to take you, figured the couch was the safest place.”

“Oh…,” you say, voice small. 

You try not to think about being so wasted that you had to be carried out of Logan’s car, or about what Wade said earlier about the things that happened as soon as you stepped inside the apartment. During your silence, Logan’s fingers fiddle with the armrest, before his hand balls into a fist, and it unlocks something in your hazy memory.

“I have the weirdest memory of you having… a sword?”

You watch as Logan’s lips purse in amusement. His tongue rolls around in his mouth, seemingly contemplating something, before saying, “You probably saw these.” He holds up his fist, flexing his forearm before three blades shoot from between his knuckles like claws, accompanied by a shing!

“Jesus fucking Christ,” you startle, spilling some water on your blanket. Your head spins with your hangover and the bizarity of the situation. If it didn’t sound so much like how it did in your memory, you might think you were still drunk. 

There’s so many things you want to ask, your intrigue almost winning out over your hangover until the sharp start of a headache gives you pause. Instead, you take another sip of water before rubbing your temple.

“It’s a story for another time,” Logan says, like he can read your mind, and you want to ask him that, too. His claws retreat, the cuts they leave between his knuckles immediately smoothing over until they’re gone. “I gotta go check if I still have a job.”

The words make you feel warm all over, the memory of your back-alley conversation coming back in full force. The thought of the things you admitted to him and that you put him in the position that he had to risk his job for you make you feel even warmer, your gaze no doubt laced with embarrassment and worry when you look at him.

“‘S not your fault,” Logan assures, standing and fishing his car key from the pocket of his jeans. “You don’t have to rush but um, make sure you close the door behind you on the way out. Gets jammed sometimes.”

“Yeah, okay,” you say, watching as he makes his way to the front door. 

He takes a final glance at you over his shoulder, then leaves, accompanied by a bang.

THE PUZZLE

It takes you a little over a week to muster up the courage to go back. Admittedly, your courage is aided by another, foreign feeling. You don’t have a name for it yet, or maybe you’re afraid to call it what it is, but somewhere along the week, you became consumed with the thought that feeling like you did wasn’t all there was. That there is something beyond this. 

Perhaps foreign wasn’t the right way to describe it, because it is something you’ve felt before – it’s just been long dormant. The last time, it lasted about a month before it all came crashing down, and you swore you wouldn’t fall for it again, but you can’t help it. The feeling’s too sweet, and the idea that there’s still some baser instinct willing you to keep fighting for yourself makes you feel like the sun is shining on you. 

So yeah, maybe you’re just having one of your good weeks, where the thing sleeps – quiet while its presence still simmers. But you figured now’s your chance to take advantage of its unguarded moment.

Sneaking into the building is surprisingly easy. It helps that it isn’t anything fancy. You wanted to forego the humiliation of ringing the bell and him not letting you in, but standing in front of the door now, panting after climbing three flights of stairs, you don’t know if this is much better. 

Just when you’re about to knock, the door swings open. In the opening, Logan has one arm in his jacket, head twisted to watch the other that’s caught halfway in the sleeve. It takes him almost bumping into you to realize your presence. “Shit, sorry.” He steadies himself with a hand on your arm, the touch leaving you as fast as it appeared.

“Hi,” you breathe, taking a step back to give him a little more space.

He nods in greeting. “Brings you here?”

It takes you a moment, caught off guard by him skipping over pleasantries and cutting right to the chase, despite your best intentions; it’s not that he’s ever been any different in his interactions with you.

“I came by because I, um, owe you an apology, for my behavior at your workplace and for, you know…,” you trail off, gesturing at the door.

“Barfing up the place!” comes a shout from inside the apartment. 

Logan’s eyes close with a sigh, before he steps into the hallway with you and closes the door with a bang. 

“That,” you finish sheepishly. “I’m really sorry.”

He nods in acknowledgement.

“I also wanted to ask, um, if you want to come with me to get a coffee. To make it up to you.”

Logan just looks at you, the leather of his jacket creaking as he crosses his thick arms in front of his chest. He raises an eyebrow at you expectantly. You hate how he somehow can see right through you, how he makes you elaborate, and honest.

“I want to quit drinking,” you say, fiddling with the sleeve of your coat. “It doesn’t make me better, and when I don’t do it I finally feel a little… normal. Maybe coffee’s technically just as bad, but it’s the only thing that’s currently acting like… like a reverse gateway drink? And I feel like you’re the only person I know that might get that feeling of–”

“I do,” Logan cuts in, voice softer than before – assuring. His arms drop from where they’re crossed and he starts making his way to the stairs. “Let’s go.”

– – – – –

You don’t know this coffee place, and from the way he looks around and shifts around in a chair that might be a bit too small for him, neither does Logan. Main reason you picked it is because the booths remind you a little too much of a bar – and you like the tall windows. The coffee’s pretty decent.

“Did they fire you?” you ask, picking at a loose corner of one of the laminated menus before setting it back in its holder.

“Boss commended me for helping a customer, but not so much for leaving before my shift ended,” Logan replies. “Got off with a warning.”

“I’m sorry.”

“Said that already, and I accepted,” he says. When he takes a sip of the coffee, he winces. “No need to worry about it anymore, okay? I would do it again.”

You nod, folding your hands around the warm cup in front of you.

“But, um, Wade hasn’t shut up about… the incident.” There’s a different tone to his voice, like he’s trying to lighten the mood. “His words.”

“You know, I kind of get the feeling that Wade doesn’t shut up about a lot of things.” It comes out a little meaner than you intend, but it makes Logan laugh and finally slump back in his chair a little. 

“You’re a quick study.”

Offering him a short smile in return, you continue with the other real reason you came to see him, before you chicken out. “I also stopped by because I wanted to, uh… because I realized I never really… I never… I never thanked you, for um… And–”

With a shake of his head, Logan sits upright. “Y’don’t–”

To your horror, your eyes brim with tears, “Logan, I’m supposed to be dead–”

“So am I,” he counters. He lets the words hang between the two of you for a moment, until you look at him, before he continues, “I’ve been where you are. Past it, even.”

You don’t know what to say to that, if the lump in your throat will even permit you to speak, but it’s impossible to look away from him. Logan’s gaze is piercing, frown ever present, but it’s not from anger. Instead, it’s like he’s searching for something, the right thing, to say. The silence doesn’t bother you; if anything, it makes his words seem more genuine when he does speak,

“I had someone who was annoying enough to not give up on me when I could really use it. If getting a coffee with you that’s, frankly…,” he makes a face as he pauses, “a horrible excuse for a coffee, helps… I can do that. I want to do that.”

The corner of your mouth lifts as you blink away your tears. “Was it Wade?”

Logan lets out a chuckle, and it’s honest – fond. “Yeah.”

“Figured,” you say. “How did you meet him?”

Across from you, Logan stills. You swallow thickly, adjusting yourself in your chair. It’s an innocent question, but maybe it isn’t something he’d like to revisit right now. Logan’s mug squeaks when he grips it tighter, and he looks at you with something like defeat– 

It makes you deflate. This must be what you looked like the night you met…

There’s no way to have prepared for what he tells you next: That he came from another timeline about three months ago, that he and Wade saved this one from being destroyed and almost got killed in the process, that he has nothing to go back to after the death of his team, so he stayed here. 

There’s hesitation in it, like he isn’t telling you the whole story, though you don’t comment on it. He doesn’t owe you anything and you’re too busy putting all the pieces in the Logan-shaped puzzle in your mind together; his words and actions towards you are starting to make more and more sense.

“It’s a very brave thing the two of you did,” you say when he’s finished.

“Hmm, it was all Wade,” Logan muses. “He did it all for the people he cares about.”

“I’m sure you would have done the same if you were in his place.”

At that, he lets out a dry laugh with absolutely no joy behind it. “Do me a favor, don’t put me on a pedestal.”

You frown, but before you can comment, he stands. A knot forms in your stomach, worried you’ve offended him, but he clears up the uncertainty immediately.

“I gotta go but um, Wade’s friends–,” he stops himself, correcting, “our friends are coming over to watch a movie, next week, 7:30. I have no idea what crap they’re going to be watching but… it’s nice. It’ll be nice to be around good people.” Logan doesn’t wait for your answer, simply takes his wallet from his pocket and leaves enough money to cover the bill.

“Wait, no, I invited you,” you protest. “I should–”

“You can pay next time.” 

When you nod, he says his goodbyes with a jerk of his head and makes his way to the door.

– – – – –

You see Logan two more times for coffee that week. He never lets you pay.

THE PANTRY

“–but it’s the best one!” Wade protests, DVD in hand.

“They fly a car into space, Wade,” Laura sighs.

“Launched off a jet,” he corrects. Like it helps.

You cover your mouth with the back of your hand, hiding the smile that appears at everyone’s babbling. Unbeknownst to you, you had found yourself invited to a double feature night, with Wade as the self proclaimed DVDJ. The credits had barely started rolling on A Good Day To Die Hard, or Wade had another DVD at the ready. It was met with the same amount of enthusiasm as when he presented the first.

It hadn’t been easy to make yourself go to this tonight. On your way, you’d thought of turning around at almost every step. Of course, that was all before you knew it would be this fun, and that you’d be relieved you hadn’t canceled last minute. Even meeting everyone hadn’t been as bad as you feared. 

There’s Peter, Wade’s friend. Ellie, another one of Wade’s friends. Yukio, Ellie’s girlfriend. Laura, Logan’s daughter. Mary Puppins, Wade’s small, disgusting but adorable dog, who had greeted you with equal amounts saliva and enthusiasm, before falling asleep next to the TV, completely unbothered by the commotion. Unlike Althea, Logan and Wade’s blind roommate, who had taken one listen to the gaggle of voices and left. The elusive Vanessa, Wade’s ex-but-we-might-get-back-together you heard about a couple times, wasn’t there.

Logan had been right, it was nice to be surrounded by good people. Especially good people who were… unconventional. It made joining them less complicated, less performative, and as the evening progressed it made you a participant instead of a silent observer. Wade even called you, “good for the group dynamic,” and it made you beam with pride.

“Don’t they have like, rockets attached to the car?” Ellie questions, to which Yukio’s eyebrows knit together.

“Exactly!” Wade exclaims, mistaking her confusion for enthusiasm. “Citizen Kane wishes.”

There’s more grumbling from everyone when Wade pops the DVD into the player, and he grumbles something back about how Logan would back him up if he wasn’t in the bathroom because he, quote unquote, goes way back with some of these dudes.

You’re pretty sure he’s the only one who knows what he’s even talking about.

An empty bowl of popcorn rests in your lap, and as you put it on the table, you notice how sticky and greasy your fingers and palms are. When the opening credits begin to roll, you get up to wash your hands, assuring Wade he doesn’t need to pause the movie before you go.

The apartment’s small, so it isn’t far to the kitchen, but it’s nice to stretch your legs. You can still hear the sounds from movie night; tell-tale action movie music, comments of disbelief and Wade shutting them down. They’re more faint, though, more so when you turn the tap on and wash your hands.

Right as you’re finished, you hear a dull thud. You turn the water off, head tilted and at attention while you dry your hands. There’s another sound, like a muffled groan. It’s coming from the pantry, you realize, noting that the door is slightly ajar. There’s a shing! sound followed by a distressed grunt, and before you know it you’re walking over, wrapping your fingers around the door to pull it open–

You’re not sure what it was you were expecting, but it wasn’t this. Logan’s sitting on the floor, uncharacteristically small, curled up against one of the walls. His chest is heaving, shoulders all but going up to his ears with how he’s trying to draw in breaths. Next to him, his fist is balled against the hardwood, claws buried in the floor.

Fuck.

Dropping to your knees, you wedge yourself between his. “It’s okay, you’re having a panic attack,” you explain, your hands landing on his shoulders with a light shake. “You need to breathe. I’ll help you, just look at me.”

Logan’s head stays tipped down, a deep, rattling breath sailing from his mouth as he curls further in on himself.

“Hey!” you say sharply, cupping his jaw with two hands and tilting his face up, “Look at me.” 

Logan’s eyes are wet when they meet yours, moving frantically as they search your face, tears spilling over when he blinks. Something changes in his gaze, like he finally sees it’s you, and his bottom lip begins to tremble. His hand lifts from where it’s buried in the floor, clutching onto your wrist like a lifeline.

“Breathe,” you instruct, trying not to flinch at the sharp claws in front of you. He doesn’t catch on immediately, so you overdo the purse of your lips when you blow out a breath before exaggerating an inhale through your nose, showing him what to do. It starts off shaky, a fresh set of tears falling from Logan’s eyes as he does as you instruct, but after a couple of times you find a rhythm together. The silver between his knuckles slowly disappears. “There you go, good job. Keep going.”

You sit like that, until the wild shift of his eyes stops, his pulse steadies beneath your fingertips, and eventually his eyes close with a deep exhale. His grip on you loosens and you take it as your cue to let go of him, slumping back against the wall opposite him with a sigh of relief. The both of you catch your breath, sitting together in silence until Logan breaks it.

“Came outta nowhere… suddenly I was back there… letting them down.”

“It caught you off guard, it happens–”

“I let them get killed,” he says, voice raw. “They were like– They were my family, they trusted me to be there for them and I… I was too caught up in my own bullshit. I should have been with them, I should be dead with them.”

Logan’s tears still come, but the words almost sound reverent; as if saying them out loud just to punish himself with his own shortcomings is a balm. He’s talking about his team from there, you realize, and something clicks. All this time, you thought this was about him being unable to die due to his mutation, but it’s more than that. It’s shame, remorse, grief, survivor’s guilt, all wrapped into one.

It’s the final piece of your mind puzzle that makes his picture appear.

“How– How can I ever atone for that?” he asks. “How can I ever–”

“Logan, you can't change your past,” you interrupt carefully. “You made your choices and they made theirs, and you honored them by– by…stepping up to the task, by doing what you did with Wade.”

“What if it wasn’t enough?”

“What if it was?” you counter. Your hand finds his knee with a squeeze, before adding, “You did what they would have done. And now you… you need to allow yourself to honor their memory without feeling like you have to destroy yourself to do it. You deserve that.”

Logan blinks at you, eyes still glossy. He looks devastated yet calmer than before, like the emotion is still there, but displaced. For a good while, you sit with him like that while his sniffles lessen and his breathing returns to normal… until there’s a loud explosion coming from the living room. It’s followed by cheers and hollers, and you’re both suddenly reminded of where you are. 

“C’mon,” you say, patting Logan’s knee before using it as leverage to haul yourself up with a groan. You give him room by holding the door open for him. “Better get back before we miss the good stuff.”

Still on the floor, Logan exhales heavily. “Think this was the good stuff.”

– – – – –

Three weeks later, on your way to your third movie night, you catch Wade and Vanessa making out in the building hallway. 

It stops you dead in your tracks and makes for an awkward meeting with Wade’s mystery woman, who is beautiful but very direct when she asks you what the fuck you’re staring at. Wade certainly has a type when it comes to the company he keeps… He quickly shushes the situation, introducing the two of you, and it immediately makes Vanessa’s expression twist into recognition. 

“Nice to meet you,” she says, followed by an apologetic smile. 

You respond in kind. 

When Wade tugs at her jacket impatiently, they brush past you and make their way to the exit. “See you around!” she throws over her shoulder.

A grin forms on your lips, realizing what you just witnessed, and you race up the stairs. With Wade gone, you’re not sure if there will be a movie, but at least you have gossip to share with your friends.

THE MEETING

April flies by, rolls into May, and thing’s are… okay.

With some help, you find a therapist. It’s good, she’s good, but it’s difficult to be confronted with things that are painful, week after week, and to keep reminding yourself it’s all part of the process you’re going through.

Last week, after a particularly difficult session, you’d left her office being auto-piloted by dark feelings, like they knew exactly when to strike. You had turned corners and crossed streets, wandering as you stewed on everything you’d discussed –  like your mind was playing a constant loop of your most painful moments. It was a small miracle you had heard your phone, and that you had the presence of mind to thumb the green button.

You’d answered without saying a word.

“Got any plans?” Logan had asked on the other side of the line.

“No,” you’d replied, coming back to yourself a little bit at the sound of his voice.

“Al’s making her meatballs – she and Wade can’t agree on if they’re famous or infamous. Thought you might like to come. If it tastes like shit, we’ll order in.”

You’d hummed, managing to ask, “What time?”

It had stayed quiet on the other end, and that’s how you’d known he was onto you, could picture the pinch of his brows, his lips forming a thin line. For the first time, you welcomed it—wanted so badly to reach through the phone, shake his shoulders, ask for his help and accept it, like he had done with you weeks ago. 

“Sounds to me like now might be good.”

“Yeah,” you had agreed, the constricting tightness in your chest easing up. “Yeah, I’ll be there soon.” You’d released a shuddering breath, ear still pressed to the phone as you took in your surroundings before you auto-piloted yourself to a different destination. 

“Logan?”

“Still here.”

“Thank you for calling.”

“‘course. Get here soon, I’ll stay on the phone.”

The afternoon had ended with Logan and yourself allowing Althea to boss you around in the small apartment’s kitchen, rolling meatballs, sharing stories — Althea’s recollection of something that happened to her in her 20s that involved her stealing a police horse while wearing nothing but a thong, made you cry from laughing.

The meatballs were the best you ever had, though you couldn’t be sure if they actually were, or if it was just the taste of the moment that was better than anything had been that day. 

Sometime after dinner, Logan had nudged your shoulder to show you a little plastic chip. He flashed it at you long enough that you could read the words one month, before he pocketed it again. Then he suggested you come with him next week. 

“I thought it was bullshit too, but it helps,” he’d explained. “Figured I couldn’t continue to drink whatever that stuff is you call coffee to… avoid my problems.”

You contemplated his suggestion. Things were going well for you in that regard, but your therapist had also recommended you go to one of these things, even if it was just for the community aspect of it. It just made it so… official. Your problems, but most of all, your recovery. You weren’t good at keeping promises to yourself, and this felt like a big commitment. Not to mention the speeches and other people’s problems...

But as Logan told you more about it, the location, how it had been for him, you sensed something else between the lines: He wasn’t just asking for you, he was also asking for himself. Maybe… this was his way of telling you he needed some support. 

That’s how you find yourself inside a high school gymnasium a week later. It’s as gloomy as you expected. Slick floors, gray fold-out chairs set in neat rows, buzzing lights in a high ceiling, and a slightly raised podium with a whiteboard that reads a welcome message in capital letters. 

Unsure of what to do, you follow Logan as he weaves through the crowd to find a seat. As you do, it strikes you that there’s a pretty even distribution of people, with many genders, ages and lifestyles represented. Eventually you take a seat; not quite in the back, but definitely not in the front. 

The whole thing goes by in a blur, but where you expected to be overwhelmed, you feel… connected. Here you are, surrounded by people with different backgrounds, different lives, but all their stories have something you can relate to. Where you thought addiction was the common denominator, it’s actually the desire to turn your lives around that unites you the most.

“Before we end the night I want to circle back to last week, when we spoke about goals, or things we want to work towards,” says the woman leading the meeting – you’re ashamed to admit you already forgot her name. “Does anyone want to share something about that?”

It takes a lot to hide your surprise when Logan raises his hand. 

“Logan! Come on up!” She sounds as surprised as you feel, beckoning him to her.

The plastic chair he sits on creaks when he stands and his boots squeak against the shiny floor as he does as she asks. He looks so out of place on a podium; both larger than life behind the lectern and lost to the space of the stage. He clears his throat as he retrieves a paper from his pocket and unfolds it while his eyes scan the room until they land on yours. You give him a little nod of encouragement, and it kicks him into gear.

“Not good at this stuff, so I’m going to keep it brief,” he starts. 

It earns him a chuckle or two from the other attendees, and you can tell he doesn’t expect it when he looks up from his paper. Your hands clasp together with nerves as you watch him divide his weight from one leg to another, before focussing his gaze back down.

“My life has changed a lot over the past few months. For the first time in a long time, it’s not all bad. Coming here has been good. I’m starting to feel more like I did before–” 

He stops his monotonous droning with a frustrated sigh, stuffing the piece of paper in his pocket and sounding considerably more lively after. 

“I have people I care about again, and um, it scares me. ‘Cause I don’t want to let them down, and every day I feel like I will because of all of my… past shit.” He pauses and swallows hard before he continues, “They show me so much kindness and understanding, that… that even though it’s fucking hard, I want to be able to see myself the way they see me. And allow them to care about me without feeling like I… have to earn it all the time, without destroying myself to do it.” 

You exhale for what feels like the first time in an eternity.

“So, that’s what I’m currently working on.” Logan sighs. “That’s it. Thank you.”

A small applause follows, and you quickly unclasp your hands to join in.

Your palms hurt after.

– – – – –

“It was really nice, what you said in there,” you say, fingers caressing a little plastic chip of your own that you keep safe in your coat pocket. You haven’t felt proud of yourself in a while, but tonight you do.

The evening is nice, the setting sun bathing the city in hues of orange and pink. Your pace is slow and comfortable, your arm occasionally brushing Logan’s when you make room for all the other pedestrians. You didn’t plan on him walking you home, but he insisted and you enjoy the company – it makes you a little sad when you turn onto your street.

Logan scoffs in reply. 

“I’m being serious,” you say, knocking your elbow against his arm on purpose now. “It was nice for people to hear a guy like you say those things. I’m proud of you.”

You swear he blushes. “A guy like me, huh?” he asks, almost amused.

It’s your turn to scoff. “You know what I mean.” 

“A mutant?” He looks at you from the corner of his eye.

“No,” you say, because it’s not what you meant, but the hint of seriousness in his voice and the fact he’s not entirely wrong make you track back. “Well, maybe that, too, but I meant someone who looks like you, allowing themselves to be vulnerable. Sets a nice example.”

Logan doesn’t shoot your comments down like you expect. Instead, he seems to consider your words, maybe he even silently accepts the compliment. “Think you have some things to say that could set a nice example, too.”

“Maybe next time.”

During the comfortable silence that follows, you’re reminded of something you’ve been considering for weeks now. You hadn’t paid much attention to it since that night, but as you worked through the feelings that got you to that point, the question kept coming back.

“I’ve been wondering something,” you begin. “The night we met... What were you doing at the lookout?”

Logan glances at you, contemplating the question. “When I had just, um, gotten here, it wasn’t always easy to adjust, you know? So I went to all these places that I knew from back there, to ground myself, to see that things may be different, but that they’re not that different.”

“You went there on your side?”

He hums.

“By yourself?”

He hums again.

“Did you…” You hesitate to finish your sentence, both because you’re not sure if you have any right to ask and because you’ve reached your building. You stop walking, and Logan follows your lead. 

“No, no, no, I… I can’t explain it, it’s just one of those places I was always drawn to,” Logan says, shoving his hands in the pockets of his jeans with a shrug. His brows furrow suddenly, his mind seemingly lost in something before his eyes flick back to yours. “Think it took me coming over here to find reason in it.”

It’s a thought that’s equal parts sad and lovely. 

The silence that follows hangs between you, thick with something you can’t place, but Logan doesn’t look away from you, eyes scanning your face before they land back on yours. You can’t help thinking that maybe this is how he does it, and the question comes out before you can help it,

“Is mind reading part of the X-Gene thing?”

His eyes widen – amusement or surprise, you can’t say. “It can be.” 

“Can you do it?”

“No,” he says. “And it’s for the best, fucking hurts when you can’t control it.” Then the start of a smile begins to form on his lips. “‘sides, I don’t know if I would have a lot of… consideration for people’s boundaries.”

It makes you chuckle. “Right. Not to mention some minds are probably a lot – imagine reading Wade’s mind.”

“Hurts to even imagine,” Logan says, gesturing for you to be quiet as he winces, but a smile breaks through anyway. When your shared laughter dies down, he jerks his chin at the building behind you, “This your place?”

“Wha–?” Going home long forgotten in the moment, you glance over your shoulder. “Oh! Yes.”

“All right,” he nods. “See you next week?”

“Definitely,” you reply.

“Oh,” Logan says right before you turn around. “Bring coffee? You owe me.”

You make a face at him. “You don’t have to– I’ll get you something else, I know you don’t like it.”

“I like it when I drink it with you.”

It’s incredibly hard to hide your grin. “Okay, I’ll bring coffee. See you next week, Logan.”

“See you.” 

He lingers, watching you climb the steps, waiting until the door opens after you turn your key in the lock. It’s not until you close the door, when you can only make out his silhouette through the patterned glass window in it, that he walks off.

THE SUMMER

Walking back from a very successful job interview, you find yourself on your way to your friends with a big, plastic bottle of coke under your arm. It’s a warm feeling to know that you’ll soon have a job that suits you and that you have people to celebrate with; you look forward to seeing them and sharing this with them.

You’re invited inside with open arms, tight hugs, exclaimed praise and congratulations, and it makes you giddy, a feeling so foreign that you wish you could bottle it up right this instant. With a grin, you shake the Coca Cola bottle, before twisting the cap off. You let out an excited shout as you watch the foam shoot out from the top, bubbles and dark liquid pulsing down the neck of the bottle as cheers surround you.

It’s not champagne, but Althea grumbles about the soda ruining her floors, Wade gets mismatched glasses from the cupboard, and Logan clinks his glass to yours and tells you he’s proud of you.

It’s way better than champagne.

– – – – –

You’re in serious, desperate need of a new place… 

The August heat is relentless, and the entire building’s AC isn’t working. It’s with considerable effort that you manage to make your way to your friends’ place, the promise of a constant, cold stream of wind the only thing that keeps you going. But when the front door opens, it isn’t with the welcoming, cool waft of air you were hoping for. Instead, there’s no temperature change, only Wade in his underwear.

“No.” It’s a little embarrassing how you literally pout, but these are desperate times. “Here, too?”

“If it wasn’t this fucking hot I’d be offended by that greeting.” He sighs. “Come in.”

Slightly defeated, you shuffle past the threshold, while Wade lingers. Mary Puppins trots by, an ice-pack wrapped in a towel secured on her back, and you catch a glimpse of Logan exiting the bedroom. He’s in black shorts and a ribbed, sleeveless shirt, and with a desperate groan, he lets himself fall back into the recliner in the living room. 

“Tried everything, there’s no fixing that fucking thing.”

Wade makes a face, “Listen, I know what you��re thinking: Wade’s in his underwear, Logan’s emerging from the bedroom… But we didn’t fuck, it’s not that kind of st–”

“Who are you talking to?” you ask from behind him, glancing over his shoulder into the empty hallway.

“No one–You!” The door closes with a bang.

Confused, you walk further into the apartment. “Well, telling me you didn’t is just going to make me think that you did.” Wade darts past you and takes a seat on the couch, but you hang back and lean against the kitchen table to avoid sitting on leather.

Wade suddenly turns to face you. “Did I ever tell you about our time in The Void?”

“Wade,” Logan warns.

Wade’s eyes are sparkling with mischief and you can’t deny how fun it is to indulge the way he pushes Logan’s buttons. It’s a good distraction from how you’re drenched in sweat. And you’re actually curious.

You play your part, letting out a faux-scandalised gasp. “Did you..?”

“Oh, yeah, baby. Wolverine goes both ways. All the ways, really.” He grins. “We’re so alike.”

“Shut up. Both of you.” Logan groans, lacking any real threat as he adjusts in his seat and wipes some sweat off his brow. “It’s too fucking hot to be annoyed.”

It isn’t lost on you he doesn’t deny a thing.

– – – – –

Apartments look weird with nothing in them.

It’s what crossed your mind after you finished packing up your place three days ago, and it crosses your mind now as you look into the open space of your new one from the doorway. It’s a pleasant, late summer day; perfect weather to move, which was on your schedule for today.

“Incoming!” comes from behind you, followed by quick, heavy steps.

You jump aside as Ellie sails through the door, carefully setting a big box marked “Kitchen” down in its designated area, followed by Logan who is balancing three boxes at once. After a beat, Yukio follows, holding a single table lamp in her hand. It takes some effort not to laugh, not just because of how funny it looks, but also because you relate; after all the exhausting late nights you pulled packing up, that’s also the kind of energy you’re bringing to this.

It’s nice of them to help, and instead of shoving that feeling away in fear, you allow yourself to bask in it. You don’t get long, however, because more help has just arrived.

Wade. With Vanessa. Hands interlocked.

It draws everyone’s eyes to the doorway. Wade looks almost bashful, and it baffles you how someone who can say the most insane things unprompted, all without batting an eye, could blush while holding hands with a girl he likes. To his credit, he shakes it off quickly.

“All right, all right,” he says. “Stop ogling me and my girlfriend and get back to work everyone!”

– – – – –

“So it was like an experiment?” you ask, stirring the pot on your stove before taking a careful bite of food off your wooden spoon.

Tonight’s your first night hosting at your new place – Family Dinner, Wade had dubbed it. With fall setting in, you had an idea of what to make, but it still made you nervous to have everyone in your space. Logan saw right through you, offering to come over early to help you prepare. 

Once he had arrived, it hadn’t taken long for him to admit he wasn’t much of a cook, so he mainly chopped vegetables as you chatted; you about your new place, Logan about his new job as a boxing instructor, Laura going off to college. You don’t remember exactly how the subject of his adamantium came up, but he was telling you freely about it.

“They needed someone who could regenerate fast enough to bond with it,” he explains. “I was in a dark place. Figured I didn’t have anything to lose if it didn’t work.”

You nod in understanding. “Do you… remember much about it?” You put your spoon down, then put the lid back on the pan. 

Logan’s knife stops hitting the cutting board. “Yeah, I… I remember every second of it.”

You look at him then. His eyes are still cast down at his task. Unsure of what to say, you think about what you’d want to hear, and you find it might be best to say nothing at all. Instead, your hand finds his shoulder. Logan’s head turns to you, and you feel like the look you share is more important than anything you could’ve told him. His hand covers yours with an appreciative squeeze. 

“But I’m trying to leave that there so I can focus on remembering what happens to me here.” As soon as he’s said it, his hand quickly slips off yours, adding, in a rush, “Here in this timeline, I mean.” 

You smile at him, but a strange feeling settles in the pit of your stomach. “That sounds like a great idea.”

– – – – –

“I need your help with something,” you say, balancing your phone between your ear and your shoulder while you turn a birthday card over in your hand. Deciding you don’t like it, you throw it back on the pile of cards and continue your grocery shopping.

“Just say the word,” comes Logan’s reply from the other end.

“I need you to steal something out of the apartment for me.” There’s a silence, and you purposely let the feeling of trepidation linger.

“Am gonna need you to say a little more than just that.”

You laugh, “Wade’s been talking about getting a little frame for his polaroid. You know, the polaroid that you held on to for him in The Void, after the two of you fu–”

“Yes, I know the one,” he interjects with a huff. He pauses, sighs, then says, “Consider it done.”

THE PARTY

“There you are!” Wade shouts after he opens the door. He pulls you into a hug that you return with a wide smile. Over his shoulder, you see that the apartment’s crowded, bustling with people who are there for his birthday party.

“I got you something,” you say, offering the small package to him after you step inside and hang up your coat.

“Wouldn’t have let you in if you hadn’t,” he admits as he closes the door behind you with a bang. Wade takes the package from your hand, shaking it next to his ear but hearing it make no sound in response. “Is it a cock ring?”

You can’t help but laugh at that. “Unfortunately, they were all sold out.”

“They always are,” he says, making a disappointed face. Bottom lip tucked between your teeth, you watch as he tears at the wrapping paper to reveal his gift. He makes another face when he sees it. “Well, now I feel like an asshole. This is really nice.”

“Logan helped me kidnap it,” you explain, pointing at the picture. “And the little red hearts on the frame, well, they’re your color, but they also reminded me of how much you care about people.”

When he looks at you after, it’s with genuine emotion… but Wade is Wade. “Never thought I’d say this, but I’m kind of happy you walked in here barfing up the place.”

A strange mix of embarrassment and gratitude claws its way up your neck. “Thank you.”

“We should take a new one,” he decides suddenly, pointing at the picture. “You both should be in it.” His head turns, watching as Logan approaches the two of you. “But let’s be realistic, his shoulders are so broad he wouldn’t even fit in the frame, much less his bul–”

“Stop talking about my dick, Wade,” Logan snaps.

“I was saying only good things! Jeez, so sensitive…” Wade turns, putting the picture on the kitchen table behind him where it joins all the other gifts.

“Did he like it?” Logan asks, voice low.

“Yeah,” you smile.

“Good,” he replies. “Was a nice idea.”

You eye all the other gifts, some clearer who they are from than others. “What did you get him?”

The corner of Logan’s mouth lifts as he points at a roll of silver duct tape with a small red bow on top, making you fix them both with a confused look.

“It’s an inside joke,” Logan shrugs.

Wade’s eyes sparkle, but in a rare turn of events, he doesn’t elaborate, only adds, “It’s classified. I could tell you, but then I'd have to kill you.” 

“And I have top level clearance, lieutenant,” you reply. You exhale through your nose in an amused laugh when Wade makes a surprised face that indicates you’ve gotten the reference. “What, you thought a Tom Cruise impression could save you?”

“No,” he grins, and as if on cue, the doorbell rings, “but that can. Birthday Boy duty calls, but I want it on record that I could do Top Gun, easily, while Tom would never be able to pull off Deadpool.”

– – – – –

The party settles into something comfortable, soft music in the background of lively chatter. Yukio has just finished telling you about a Professor Layton cosplay she’s doing when you excuse yourself, both your glass and your social battery empty enough to look for a momentary out. Finding your way through the crowd, you make it to the kitchen, filling your glass with water and taking a few sips. 

While you do, the music suddenly gets louder, taking over for the steady chatter. You turn around, leaning back against the kitchen counter, and watch as Wade drags Vanessa to the middle of the apartment. People make room for them, exchanging looks while Wade wraps his arm around her waist, takes her hand in his and begins dancing with her. With a laugh, she slaps him on the chest, before settling into his embrace anyway. Some follow their lead, but your eyes stay glued to them. Wade spins Vanessa under his arm, the smile on her face bright enough to light up the entire room. In return, he looks at her with so much adoration he’s almost glowing himself. It fills you with warmth to see the both of them so happy.

It hits you how you haven’t thought about this in a while. You’d decided long ago that the future wasn’t something you had to worry about, but suddenly you’ve arrived, like you’re in some alternate reality where your future is now, and that it would be nice to share it with someone. The sting behind your eyes catches you a little off guard; mixed feelings of time that has been taken from you, but also of time you’re getting back with the life you now have.

For a while now, you’ve suspected the thing inside you is gone, that there isn’t much to feed off of anymore. If it is, it would make sense that there’s room for something else.

Wade and Vanessa make it look easy, even though you know it’s been far from easy for them. You suppose that’s what it’s like, especially as you get older. It’s less about big gestures, more about small ones; someone to make you laugh, to spin you under their arm, who knows how to apologize, seeks you out during your quiet moments–

“Do you dance?”

You startle, head turning towards the voice next to you– 

“Logan,” you breathe. 

It’s like you’re seeing him for the very first time. He’s standing so close, almost touching you but not quite, heat radiating off of him nonetheless. The plaid shirt he’s wearing isn’t even buttoned and still the fabric is pulled taunt over his shoulders and the thick of his biceps. He’s grinning, his nose pulled up in an adorable scrunch, the corner of his eyes crinkling - you never noticed before, but there’s a hint of green between the hazel.

It hits you so suddenly that you have to grab the counter to keep your balance. Everything that’s been happening, that you’ve been feeling, all the times something happened between the two of you that you couldn’t put your finger on… it falls into place with a well-timed, completely unrelated question and a glance at him.

You like him.

All you can do is blink at him, dazed, unable to speak, even more so when he leans in a little closer, mistaking your silence for misunderstanding. “I mean, not that I– You and Wade were doing a bit earlier, it’s a reference to–” Logan straightens suddenly, his expression slipping into concern as he watches you, “Are you okay?”

You feel warm, so aware of all his attention on you that you’re afraid he might be able to see your pulse blink rapidly below the angle of your jaw. “Yeah,” you reply, voice hoarse, looking away from him to blink the leftover wetness from earlier out of your eyes. 

Anxiety claws its way into your chest, your mind coming to terms with what it’s puzzled together at such a sickening pace that there’s an immediate knot in your stomach. The party has instantly lost its shine, and you look down at the glass in your hand, gulping down its contents. You need to be alone with your thoughts, you need to think about this before–

“I gotta go,” you say in such a rush that it almost sounds like one word while you set your glass on the kitchen counter.

Logan’s eyes follow you as you push past him, grab your coat and reach for the doorknob. “Wait–”

“Bye, Logan.”

THE TABLE

Once at home, you change into something more comfortable, your mind racing while you peel your party clothes off, toss your bra aside, change into an oversized shirt and plop down on the couch after.

Despite having already established that your mind was occupied with other things for a very long time, it’s laughable in hindsight that you never noticed your feelings before. It’s not like you don’t know what Logan’s like; he’s kind, funny, supportive…

…broad, handsome.

Shit.

Why did you have to come to your senses? Things were better before that moment. Logan’s your friend, whom you met in the most unconventional way possible. It’s ridiculous to want more than what you have when what you have is good. Or to think that he would want more.

But he might.

Because you may have been occupied with depression, anxiety, recovery, and everything in between, but you were there; you remember the time you spent with him, the way he looks at you, drinks the coffee you like, laughs at your jokes, seems to know exactly when to call you, seeks you out in a crowd.

But it would change everyth– 

Actually, not a whole lot would change, if you really think about it. You already see him all the time, you’ve seen the very worst of each other, overcome a great deal of hardship together, you make each other better, his friends are your… 

friends. 

You didn’t say goodbye to Wade.

The thought comes suddenly. It was his birthday party and you didn’t even say goodbye to him before you left. You’re a terrible friend. Dread sinks into your limbs, and you reach for your phone to type out a quick, apologetic message. Just as you hit send, there’s a series of loud knocks on the door, and it makes you freeze up where you’re seated.

“Are you in there?” a muffled voice calls out.

It’s Logan, you realize, and a plethora of fake excuses as to why you left the party early present themselves to your mind as you quickly make your way over to the door.

The first thing you notice when you open it is that he’s dripping wet from the rain, clothes soaked through and his hair flat. There’s a deep furrow in his brow, and it’s different from how he usually looks; he looks actually mad.

“Logan, is everything–” you begin, concerned, but he cuts you off by pushing past you and letting himself inside, boots stomping against the wooden floor. 

“Jesus, here you are. Why’d you leave like that, huh? Saying goodbye, your eyes all wet. I went after you and you were fucking gone, it scared the shit out of me. Didn’t see the car at the lookout, but I went to look for you anyway, and you weren’t in the water, thank fuck–”

“Wait, you went–” you pause, the mental image of Logan running out into the rain to the cliffside making your eyes widen. “Did you think..?”

“Yeah,” he sighs, shoulders slumping.

“Shit.” Your heart is racing when you step closer to him. “No, I wasn’t… I don’t want that anymore.”

“Then what the fuck was that all about?”

The desperation and misunderstanding in his eyes is unmistakable, and you hate that you made him feel like that. “I was just… I needed a moment, after seeing Wade and Vanessa like that,” you say, trying to provide yourself with more time to think, unsure if you already want to broach the subject of why you really left.

“You… like Wade?” Logan asks, his frown deepening.

You can’t help the laugh that escapes you at the unexpected question. “No. I mean, I adore Wade, but not like that. He’s with Vanessa.”

The answer does nothing to change his expression. “And you want it to be different?”

His line of questioning confuses you. “I– No. Logan, this isn’t about Wade or Vanessa, but it’s about… what they have. Something that’s real, but imperfect, and that’s what actually makes it perfect, and I just… I was in a really bad place for such a long time, I didn’t give myself time to even think about… I haven’t felt myself wanting for so long,” your gaze flicks up to his. “Seeing them just made me realize there’s so much left that I still want.” 

Internally, you curse the way he always makes you say too much, because you can see the understanding wash over his features. His expression softens, the balled fists by his side loosen, and his eyes search you, as if to see if that thing you want is him. There’s no doubt he finds his answer; you’re ever the open book when it comes to him, and your pulse quickens while he silently observes you. 

Logan reaches for you so quickly that you can barely prepare for it, a hand on your waist to pull you in, another on your cheek to tip your face up and guide your mouth to his. A shaky breath sails out through your nose when your lips meet, your eyes fluttering shut and your palms sliding up his damp but warm chest to curl in the soaked fabric of his shirt. It’s eager, and the angle is off, but it’s quickly adjusted with a brief parting and a near in-sync tilt of your heads in the other direction. 

Logan pulls away, but stays close, and you almost feel his words before hearing them, “Been… thinking about doing that.”

“Really?” you say, breathless and amused. “When did you, um, start wanting to do that?”

“Few weeks ago–Fuck, no, more than that. Almost did, that day after your first meeting, after you told me you were proud of me,” he admits. “But I wanted to give you time, space. Wasn’t sure if you felt–”

“I do. Didn’t realize it before, but I fucking do,” you assure him, another tug on his collar trying to pull him back to you. His admissions, knowing he wants you too, only make you want him more, like you have to make up for all the time you wasted not doing this sooner.

Logan’s hand on your waist holds you off. “I just don’t know how to… how to be this,” he confesses softly.

“That’s okay,” you say, your nose brushing against his. “I don’t either.”

He inches forward like he intends to kiss you again, but seems to reconsider, swallowing hard before saying, “Wouldn’t be the first time we figure it out together, huh?”

The words make you surge forward to close the gap between you, your brows creasing, attempting to convey everything you feel with one press of your lips to his. Logan’s hand slides from your cheek to the back of your head, pulling you to him in a way that seems to mirror your efforts. Something lights up inside you, something you lost long ago, and it makes you bold, opening your mouth under his to get a taste of him. 

His grip on you tightens with a groan, spurring him into action and walking you backwards into the dark kitchen, the only illumination the slivers of moonlight that come through the kitchen window. You jolt when the back of your thighs hit the table, before you’re scrambling to get on top of it, two hands at your waist helping to hoist you up. Your thighs widen to make room for Logan’s while you push the green flannel shirt off his shoulders, struggling to peel it off his arms to the point you have to break away with a laugh to really get it right. It lands on the floor with a wet sound, before he reaches for the back of his shirt, curling his fingers around the collar and pulling it over his head.

Logan’s sturdy, warm to the touch and surprisingly pliant when you can’t help but let your fingers flit along the corded muscles and protruding veins while he toes off his shoes. His hand flies to the back of your head to fist the hair at the nape of your neck when your lips explore, find his jaw, and travel down his neck. A soft sound sails from his mouth, a barely audible moan that carries over into something deeper when your lips brush a spot just above his clavicle. Using the grip he has on you, he drags you back up to his mouth, doing some more of his own exploring when his warm tongue strokes against your own. 

“You’re so good to me,” he murmurs with a buck of his hips against yours. The thrill of having him pushed up against you, half-hard, warm, full of promise, makes you moan, teeth clacking against his when you do. “Always so fucking good to me.”

It makes you want to protest, from the very moment you met, he’s the one always being that to you, but it dies on your tongue when Logan’s flicks over the tips of his fingers. His impatient hand finds its way between you, disappearing under the waistband of your underwear and stretching the material to make room. His name comes out as a whimper when his spit-slick fingers easily glide through the soft skin between your legs. He curses, another buck of his hips pressing his hand closer against you, and your kiss turns messy and uncoordinated when he dips one finger to touch your clit. 

“This okay?” Logan asks when you gasp, drawing languid circles between your legs.

“Yeah, it’s just– Oh, god.” Two thick fingers find your entrance, swirling the wetness there around. “Been a while,” you manage to finish your sentence.

“I’ll make it good for you,” he promises. “You want that?”

All you can do is nod, and Logan presses a kiss to the corner of your mouth before he pulls his hand back. It’s paired with a wet sound that makes your cheeks heat, more so when you watch him get on his knees and yank you to the edge of the table, the quick turn of events and the casual display of his strength making you a little dizzy. Logan’s nose presses into the fabric between your legs with a sharp inhale, before quick, practiced moves work your underwear down your legs. One eager hand places a thigh on his shoulder as another holds you at the bend of your knee. You lie back, arching as you hurriedly pull your t-shirt over your head, leaning up on your elbows just in time to watch him bend down. 

The feeling of Logan’s hot breath sailing out over your sensitive skin alone is enough to make you gasp. He drags his lips and nose across your folds, easing you into it as much as his lack of patience will allow before tasting you with a swipe of his tongue. It isn’t tentative or testing, but firm and sure, and clearly for his enjoyment as much as yours when he repeats his action and groans into you. The vibrations of it and the gentle scratch of his facial hair only add to the liquid feeling in the pit of your stomach. Letting go of your knee, he curls a strong arm around your thigh, spreading you open then pulling you flush against him while he sucks your clit into his mouth.

“Oh, that feels really good,” you spur him on, your heel digging in between his shoulder blades. You watch him with hooded eyes, shifting your weight to one elbow so you can cup your breast with a whine. 

Logan’s eyes slip shut in focus, working his tongue up and down your clit and making you arch into his mouth. Reaching for you blindly, he slides a hand over yours on your chest, fingers fitting between your own and squeezing while his tongue slides lower to lick over where you’re dripping for him. He lets out an appreciative hum as he repeats the move until your thighs clench and shake around his ears. His tongue dips inside you, curling up against the slick walls of your cunt, and his name tumbles from your mouth, soft, pleading, making his eyes shoot open to meet yours.

The sight of him looking up at you like that from between your thighs, with dark eyes, the tip of his nose glistening with your wetness, will probably haunt you for the rest of your life. 

Logan shushes your begging, pulling away and watching as your pussy clenches at the sudden lack of attention. “Let me give you something to come on,” he murmurs, before fitting a finger at your entrance. It meets absolutely no resistance, a second finger sliding inside with just as much ease, and he sets a steady, deep rhythm before his mouth returns to your clit.

“Oh, fuck, fuck, fuck–” Your head rolls back between your shoulder blades, mouth open on a silent gasp, but he draws your attention back to him with a curl of his fingers, finding a spot that makes you go rigid for a second. It all builds so fast, so suddenly. The hand on your chest shakes Logan’s off, finding the crown of his head and sliding your fingers into his hair. He’s too strong to really make purchase, but you try anyway, using your grip to roll your hips against him. The sound of his groans, every flick of his tongue and every squelching, delicious curl of his fingers all send you closer and closer, until his hand presses down on your belly, and…

“Logan,” you manage, voice sharp with a warning that comes too late when he makes you tumble over the edge. 

It’s so much after so long, the force of it making you fall back against the table, something between a gasp and a shout tearing from your throat. He holds you tighter, to keep you in place and guide the desperate roll of your hips against his face. Your orgasm quickly slips into something bordering on oversensitivity, and you let out a dry sob that makes you slap a hand over your mouth when Logan’s tongue travels a path from where his stilled fingers disappear inside you, up to your clit. He stays there, gentle, uncharacteristically patient as you slowly come to a twitching halt. 

He’s a blur when he comes back into your field of view after standing up, towering over you to watch as you come back down to earth. Becoming sharper with every heavy blink of your eyes, you notice the smile on his face is smug, that the hair surrounding it is a shade darker than the rest. You sigh softly when his fingers slip from you, the feeling of them sliding wetly over your clit making you tremble, but his touch doesn’t leave you completely when he moves to stroke the outside of your thigh.

“How’s that?” Logan dares to ask.

“Hmm, no speaking yet,” you protest.

Reaching for him, you slide both of your arms up over his broad shoulders, wrists crossed in the nape of his neck to pull him in for another kiss. It’s slow, and deep, the taste of yourself shared between the two of you as your tongue slides over his. The table protests with a creak when his hands land beside your head, more when his chest pushes down on yours and you wrap a leg around his waist to get him even closer. The hair scattered across his broad chest teases your nipples and the hard ridge of his cock strains against his jeans and presses up against your slick cunt. It makes your jaw go slack, stoking your desire and making you burn with the need to make him feel as good as he just made you feel. 

With a push against his shoulders, you take him along as you sit upright again, accompanied by another creak of the table. Mouth still on his, you slide a hand down to cup him over his jeans, the weight of him against your wide open palm making you pulse. Logan grunts when your hand squeezes, and your mouth slides off his, kissing his jaw, sliding back down his neck. He cups your head, keeping you in place while watching your hand.

“Feels nice,” he husks, voice so deep it makes you want to push him aside and get on your knees for him, but then he asks, “Are you gonna let me fuck you?”

“God, yeah,” you say with a nod, watching as the mark you just sucked into his neck disappears far too soon while you continue rubbing him over the denim. “Want you inside of me.”

“Jesus–Then get it out,” he instructs, guiding your hand to his belt. 

If you weren’t so turned on you might wince at how eager you are, at how quickly you tug the buckle open and pull the leather free. Logan groans when it relieves some of the pressure, letting his forehead rest against yours. Together, you watch your hands make quick work of his zipper, your fist closing around his cock while your other hand works his pants down until he can kick it off and under the table.

He fits nicely in your palm, heavy and ready, sticky at the tip. With a purse of your lips, you let your spit trickle down in a straight line, and he hisses when it hits him. Your free hand flattens against his stomach, sliding down along the hard planes of his body and following the vein just below his belly button down, until it meets your other hand that loosely strokes up to the root of his cock. Logan arches into you when you stroke back up with a tighter grip, all but getting on his toes to chase your touch. Using both of your hands to get all of him, you twist your fists in opposite directions once, twice, before circling his tip with one thumb. Your other hand curls around the underside of him, dragging some of your spit down to his balls with the tips of your fingers.

“F–fuck,” Logan stutters when you play with him there, cupping him in your hand as well as you can and squeezing his shaft when it twitches in response. His eyes slip shut as his palms land on the outside of your thighs with a smack, fingertips digging into your soft skin. 

It makes you jolt, then grin, giddy from the sharp sting and the power you have over his pleasure. “How’s that?” you echo with a teasing lilt.

He does have the words to answer, albeit a little slurred, “‘S good, sweetheart.”

The nickname tacked on at the end takes root in your chest, blooms bright and makes you ache. You translate your appreciation into tightening your strokes and spreading more of the precome that steadily leaks from his tip around.

“C’mere,” Logan says softly, taking over for you with one hand, giving himself a few strokes before pushing your thighs further apart and shuffling closer to line himself up with you.

You’re so wet that the head of his cock is practically already slipping inside of you, but your hand clasps around his bicep when he really starts to breach you. After giving you a shallow little thrust, his hips draw back, before pushing a little further, gauging your reaction.

“Just like that,” you sigh, watching the careful slide of him in and out of you. “Keep going just like that.”

He gets you opened up like that, giving you a little more with each wind of his hips. Logan’s hand finds the back of your neck, his palm splaying out and keeping you close enough that you’re practically sharing air with each sigh and moan. Eventually, your knees have to draw up to his flanks in order for him to keep going and you wind a leg around his hip to close the final distance with a press of your heel into one of the firm cheeks of his ass. A long breath sails out from between your lips when you pulse around him, slowly adjusting to having all of him filling you up. You can tell he has to put considerable effort into letting you, wood groaning below you when he clutches onto the table.

“Fuck, it’s a lot,” you say, and when he grins against your mouth you can’t help but kiss him again – just a peck. The hand at the back of your neck squeezes in reassurance as he continues to let you lead, and it’s a small gesture, but it makes you feel warm all over. You melt into it his touch, your body relaxing as the pleasure of the stretch of him takes over.  

“Can stay like this a little longer if you want,” he says, but the strain in his voice says something different.

“Hmm, no, you can move.” You’ve barely said it, or his hips are drawing back, and it would have made you laugh if it didn’t feel so fucking incredible. He almost slips from you completely, before sliding all the way back inside with a grunt. The table scrapes along the floor, and vaguely you register one of your chairs falling over in the process. When he repeats the action, the furniture squeaks again below you. “Just don’t break my table.”

The sound he makes in response is non-commital, and when he fucks back into you and nudges against something wonderful, you can’t say you disagree. Grabbing hold of his shoulder and using the leg you have wrapped around him, you roll your hips against his, and he begins to meet you halfway until you work up a rhythm together. The table protest further, a shrill sound filling the room after each slap of skin–

With a frustrated groan and accompanied by a startled squeal from yourself, Logan lifts you. The surprised laugh that threatens to bubble up your throat quickly morphs into something heavier that comes out with a rasp when he makes it all look unusually effortless. Attempting to brace yourself, you sling one arm over his shoulders, the other winding around his neck so you can rake your fingers through the hair at the back of his head. It’s a struggle to keep your balance, a helpless heel digging into the back of his thigh to keep yourself upright. Quick to aid, Logan slides an arm under you, fingers splayed across your ass as your knee hangs off the inside of his elbow. He turns a quarter, presses you up against the wall, and doesn’t miss a beat as he continues fucking you. 

“Jesus, Logan,” you say, voice almost a growl and barely recognizable as your own.

With your new position, you can see him better, the both of you lit from the side with the window to your left. The moonlight paints him in a tapestry of light and shadows when the wind blows through the tree branches, momentarily amplifying the glint in his eyes and the flex of his chest and arms like a strobe light.

The different angle he finds with his cock is a little too good, the feeling of the thick base of him stretching you open with each thrust making you dazed and talkative, “It’s so deep like this, can–oh, my god–can feel you everywhere.” 

Logan curses at your words, squeezing your waist and pushing you harder against the wall. There’s a deep-voiced appreciation of how good you feel in there too that doesn’t quite make it from your ears to your brain because somehow he’s still speeding up. His head ducks down to your chest, mouthing at the soft skin of your breast before closing his lips around a nipple. 

You whine, using the grip you have on him to roll your hips against the piston of his while you pant into his crown. Though the sound he makes against you when you do it makes you beam with pride, it’s not something you can keep up for very long, your hold on him slacking after a few thrust until you slip back against the wall. 

Logan pulls back when you do, tightening his hold on you while his eyes glide from the bounce of your tits that glisten with his spit to down between your bodies. 

“Touch yourself,” he instructs, grunting when you immediately do as he says by bringing a hand down between where you’re joined. Your fingers spread in a V-shape around where he fucks into you, collecting some of your mixed arousal before using it to rub your clit. “That’s it, sweetheart, fuck, make yourself come.”

You nod, rapidly feeling everything zeroing in on the fingers that draw tight circles over your clit and that spot deep inside you that Logan’s finding with every thrust. “Yeah, fuck, I’m–Don’t stop, don’t stop, please–”

He’s coming before you are, tucking his head below your chin to let out a deep, drawn out moan against your neck that ends with his teeth grazing your skin. It’s so much, the pressure of him grinding himself into you with twitching, barely there thrusts, the heat of his release as it fills you where you’re gripping him like a vice, and as your fingers still twirl between your legs you come, and come, and come. 

The leg you have wrapped around his hip slips off, but before your toes can even scrape the floor, he catches your thigh, cupping your ass with both hands now to keep you up, and close. With a soft, satisfied sound, you let your forehead fall against Logan’s shoulder, tasting the salt of his sweat with every light press of your lips there.

It takes you a moment to notice your back has come off the wall, that Logan is walking the both of you into your living room and to the couch. He bends his knees, dropping you between your pillows, where you land with as much grace as you can muster considering you feel like you’re made of lead. The soft couch is pleasant against your body, your sore limbs sinking into the cushions. 

Logan fits himself between your legs again, widening them around his broad shoulders before his lips find your overstretched thighs, leaving marks and kisses up up up, until his tongue slips back into your pussy. Your back arches off the couch, hands shooting down to fist his hair with a whine while Logan’s hand fists his cock. As your eyes adjust to the darkness, you can tell he’s already getting hard again, and his tongue is making something swirl low in your belly that’s making you pant, and...

It’ll be a long night.

THE PEARL

It had taken a lot of convincing and downright groveling, but Wade had allowed you to bring a movie for movie night. It wasn’t that he didn’t trust your taste in movies, his main gripe with your choice was that it wasn’t a Christmas movie – mandatory for December. Wade’s right, but after you explained that it’s the movie you always watch at the end of the year (and after Logan and yourself conceded that yes, his birthday was technically also your anniversary) he’d agreed. 

Now that you’re actually watching it, you suspect he’s genuinely invested, because after a handful of comments about The Hulk, he’s been quiet for longer than you’ve ever heard him be quiet.

In the scene on the screen, Mark Ruffalo’s character Dan and Keira Knightley’s character Gretta are taking an evening walk around New York City, dancing, singing and sharing music with each other as they do. Eventually, they stop and sit next to each other on some steps, watching as the city continues to move without them.

“...the most banal scenes are suddenly invested with so much meaning, ya know? All these banalities, they're suddenly turned into these… these beautiful, effervescent pearls,” Dan says, wistfully looking on as New York bustles around him. “I gotta say, as I've gotten older these pearls are just… becoming increasingly more and more rare to me.”

The arm Logan has slung around your shoulder tightens, and the couch creaks softly as you lean further into his side, your cheek squishing against his warm chest.

“More string than pearls?” Gretta inquires with a frown.

“Yeah. You got to travel over a lot more string to get to the pearls.” There’s a pause as he turns to look at her, “This moment is a pearl, Gretta.”

She gives him a hint of a smile. “It sort of is, isn't it?”

“All this has been a pearl,” he admits, sharing a look with her.

A finger curls under your chin, tipping your head up until your eyes meet Logan’s. He gives you the same look you just saw on the screen, his eyes soft as they take you in, the hint of green between the hazel illuminated by the light of the television. A thumb swipes over your bottom lip fondly, before he leans down to kiss you.

It takes a lot of string indeed.

Sometimes even interdimensional string.

– – – – –

(THE END)

If you made it all the way here, thanks for reading. Seriously. Please come say hi and/or share your thoughts via ask/messages/reblogs/whatever you feel comfortable with. I hope to share more writing soon - emphasis on hope, I'm not making promises, just an educated wish.

And lastly, if you're struggling with mental health problems, please don't wait for a handsome stranger to sweep you off your feet. I know from experience that it can be incredibly difficult to reach that hand out, but I also know from experience that things can get better. There are ways to get help and you deserve to get help 🫂

[pendularium]

sorry, yapping quickly. I saw a post earlier analysing how vi doesn't stand up for the zaunites to caitlyn, and contrasting that to jinx (and ekko), and viewing vi as a sort of pick me (not the language used but I can't find the original rn), and like. yes, I think the argument is correct, but there is like one thing I want to add, which is that vi, unlike jinx and ekko, isn't really in a position where she can criticise caitlyn right? ok hear me out. so one) imo a lot of s1 establishes vi as someone genuinely desperate for connection - its the thought to getting back to powder that gets her through prison (where she has been pretty isolated), her and caitlyn click incredibly fast etc, and all of s1 into s2 happen pretty damn fast right? vi gets out of prison, gains a friend, regains a sister and then instantly loses her again, and then that loss of powder is really underscored in the finale - vi has very few relationships left, and most of the ones she has had have ended in horrible tragedy and violence; it is no wonder that she especially would try to cling to the one (cait) she has left and two) vi is also someone who is constantly in the big sister/protector role - her intro shows this, her leadership of their little gang as kids, and after the time skip (after she fails) you can see her try to assert her dominance over caitlyn in s1 - vi is the one who knows the lanes, caitlyn has to keep up, vi throws caitlyn out of her comfort zone in the brothel etc., vi is trying to demonstrate that she has worth to caitlyn right? and of course when maddie is talking to vi, it's caitlyn expressing respect for vi's actions that vi seizes onto. I don't think this is (just) a way of showing off to caitlyn, rich girl from piltover, I think this is part of vi's understanding of herself as a figure of authority and protection in her relationships put them together and you have someone who, when confronted with an angry and grieving caitlyn, her last real connection (not counting ekko) makes compromises to avoid a confrontation with her. vi doesn't counter 'what kind of animals' directly, because that risks her relationship with caitlyn; she is pretty consistently someone who cares more about personal relationships than the grand scheme of things (as does powder/jinx but that's a different post). and yet, with that in mind, vi does try to defend zaunites! first, she tries to humanise them right; instead of being wild uncontrollable beasts, vi positions them as making a calculated attack - they wanted the spectacle, they're trying to scare you, and then after caitlyn doubles down on her anger towards them, vi pushes for caitlyn to call off the invasion. those aren't the actions of someone who doesn't care about zaunites, or would rather side with piltover imo, they're the actions of someone who does care about zaun, but who doesn't want to jeopardise her relationship with caitlyn. vi joining the enforcers is not only her staying with caitlyn, but also her trying to prevent the invasion. if I go after your sister alone, one of us comes back in a box = caitlyn won't go alone. the strike force then, can be read as a deliberate compromise between caitlyn, who has all the power here, and vi, who doesn't want zaun to be invaded by the enforcers

this is, of course, just a way you can read all this lol, if you disagree/want to add on please do so! I am a bit busy rn but I cannot express how much I want to talk about arcane with people

[orbleglorb]

tumblr in the blaseball universe, part 10

part 1, part 2, part 3, part 4, part 5, part 6, part 7, part 8, part 9

image descriptions: the first image is a thick black bar meant to separate posts. the second image is a thin gray bar meant to separate reblogs. they are used continuously throughout the post when appropriate. like right now

☎️ official-jessica-telephone 🔁

☎️ official-jessica-telephone

what happens if the real JT wants this URL. it's a part of me now. who do i become if i have to give it up

🐟 offishal-jessica-telephone Follow

she'll have to krill you for it

☎️ official-jessica-telephone

WHO ARE YOU

102 notes

☕ eyesinthedark11

every day with salmon weather for the past few months, my dad has miraculously "found" fresh salmon for us to have for dinner. should i ask him where he's getting it from

#personal #i know the answer. i just need the verbal confirmation

0 notes

Whoops, looks like this post doesn't exist!

🐍 gamer--gorgon

shoutout to the guy (who i think might be in our shadows?) that goes fishing during every salmon game. you should see if you can get anything from the floods

#if he's a shadows guy it's extra funny because he's gotta come up from new jersey #all the shadows share an apartment there #charla said she thought she knew him but every time she tries to get into the stands to talk to him he just disappears lmfao #i get it king. i really do

41 notes

☎️ official-jessica-telephone

what do you MEAN they're rebooting supernatural???

35 notes

☕️ eyesinthedark11 🔁

☕️ eyesinthedark11

i understand that this is ostensibly a terrible thing to say but i truly do not think parker macmillan did anything wrong. if my mom was the coin i woulda done worse. i wouldn't have only been passively killing

🦆 peripheral-duck

everyone wants to act all gifted kid burn out fleabag mommy issues #coquette #girlblogger but the minute mommy decides murder is okay if it gets her some money it's all "well why didn't PARKER do anything :/" you fake fucking bitches. bro got cursed to bring destruction in his wake and THEN cursed to wander everywhere. we're not going to question that??

☕️ eyesinthedark11

if the coin was my mom i would have burned the whole earth years ago. not even because of firewalker or anything i woulda just done that

#like you are looking at mommy issues supreme. you show some fucking respect #<- PREV #on one hand it feels really weird to say these things about a Real Guy who is possibly still alive #on the other hand. you fake bitches #if you've reblogged a fleabag quote i don't wanna hear shit from you #'maybe the fireballs didn't know what instability was' valid point! #but that does not mean they're not at fault. you know #idk why everyone expects parker to just. fix everything. #if he's in the vault then he's been 19 for like 50+ years. he suffers more than jesus

5 notes

🐶 catgirlfirefighter

it's somehow the league's best kept secret that mike townsend is deaf. people keep coming to me like, "idk how you're friends with the guy, he just ignored me, he's such a dick" bro he can't hear you. and also yeah he is a huge bitch

#right judgement wrong reason #mike if you're reading this. ily <3

112 notes

🦞 marketplace-shellfish

Hey has anyone heard from that guy who was making the "meatcute is not real and can't hurt me" affirmations recently? I can't tell if it's a bit or not but they haven't posted since.

#blaseball #san francisco #san francisco lovers #hopefully it's nothing and i'm just anxious lol

11 notes

[letsgofullpogue]

I don't usually share my thoughts on the season here, I try to keep it more of an archive than anything, but this shit was a mess and I need to unpack it somewhere. Thoughts on season 4 below the cut.

Groff being JJ's father doesn't make any sense.

Before part two even came out, this little kernel of story rang so false for me. How does Luke wind up with a kook baby who "died" at sea? And the obvious answer is he had an affair with a kook, they had a baby, and, sure, she dies and he has to take care of the baby, leaving him bitter and alone and resentful of JJ. This is a reasonable expectation based on what we know of Luke thus far. But that's not what they're selling. Luke is a good-natured groundskeeper for the Genrettes, forming a light friendship with Larissa and bringing her little baby flowers to light up their days. Chandler, the baby's actual father, lurks in the background, seemingly jealous and controlling and not a fan of Luke. This completely stomps all over what we know to be true about Luke from the beginning, and really wipes out all the beautiful, horrifying work that Rudy and Gary did to build their relationship up until now. What a tragedy.

Why would Chandler kill Larissa and hand off the baby, pretending that he died? Was he hoping that Wes would take him under his wing and he would become the Genrette heir? Why not just keep his own baby with him, who would presumably be the real Genrette heir, coming into the money and property by way of guardianship when he inevitably killed Wes anyway? What's the deal with Chandler and Larissa? Did he marry her for money since he was a Pogue (more on that later)? Is this Foghorn Leghorn accent put on? Did he marry her specifically for her Blackbeard connections? Was it on the order of the Lupine Corsairs? Did he start working with them before he hooked up with Larissa? Was this all part of the plan? Why did Larissa keep her last name? Why in god's name do I care?

Watching Chandler play JJ the whole time requires us to believe that JJ is stupid, and JJ is not stupid. Impulsive, sure. Acts before thinking, absolutely, but not stupid. He's not going to get played this way (especially by a Kook), letting Chandler lock him in a mausoleum, giving him the necklace, giving Chandler his phone. It's insane. And driving around town in the Twinkie while being wanted? Still using their house and surf shop as home base for planning? Stupid stupid stupid.

The retread of scenes we've already done

Pope and Sarah in the tunnel with the rain is Kie in the sewer with the water flushing her out.

JJ and Chandler in the Twinkie is Big John and John B in the Twinkie, and just as bad. I thought they understood that was too much time away from the group, but what I've come to is that they don't actually understand anything.

Wasting too much time with a band of villains, see also last season. At least Singh had an interesting story that somewhat wove into the quest. These guys are just hired grunts. They're not on this hunt for themselves, they were hired to find the crown. Hired by who? And why do we care? They have a code that they live by, but we don't care that one of their faceless guys got killed and that they're out for revenge while pursuing the treasure. They get way too much screen time for us only have ten episodes.

Pope running from the Marines is Pope running from his scholarship interview, with higher stakes consequences that'll never be addressed, I'm sure.

Pope, John B, Cleo, and Sarah in the garage is John B in the garage in season one.

JJ wounded and floating in the water, just like in season two.

JJ and Kie talking about wishes while on watch is surf trip again. I was like, oh wow the chemistry is totally back here, and then I realized that it's fully leaning on the cadence of something that's already happened.

These are not parallels, this is bad writing. Or lazy writing. Or both.

High-stakes actions with no regard for consequences

Speaking of, they're constantly writing themselves into situations they can't get out of at this point. Last year, with JJ making deals with Barracuda Mike, big-time drug dealer, a thing that should have had huge consequences for reneging on the deal, but wound up with none. And in an even bigger 'this doesn't matter', he goes to Barracuda Mike's house this year and demands things of him? Wild and unbelievable.

This year, with JJ assaulting cops and destroying the town, for reasons that don't even really make sense. Wanted and on the run. How do you come back from that? (And a side note. JJ wasn't ever really a physically destructive presence, moreso destructive in the way that he has impulse control issues and acts before he thinks. But JJ has always been the type to take the beating, not start it. Happy to defend himself and his friends, but out of a feeling of usefulness and purpose in the group, not for funsies.)

Also this year with Pope, assaulting a cop, slipping his ankle monitor, and running away from the Marines. THE MARINES. Consequences should be looming, and who knows if we'll get there. But why set these kids on the run for the rest of their lives? The point is this place, the point is these kids. These beautiful idiots with bad luck and good hearts, just trying to get a win. What win is left? Evading jail? Revenge killing? What happened to our little boat show? This is a mess.

A family way

It's insane to me that they would chose to make Sarah pregnant in these circumstances that they've written them into, but then again, it's written by men who seem to have big-time mommy and daddy issues, so why am I surprised? I do feel like the best part of the season is that before John B even knew about the pregnancy, he was basically like I want to be done with this shit. He is not his father, he doesn't yearn for the adventure of it all. He wants to build a life, a normal life, and I wish we had had more time to sit with that and explore it for him.

The dialog

I don't know if it's that they're not improving as much anymore because of ~*reasons*~, but the dialog has gone completely down the tubes. In the last episode of the season, Kiara says "JJ hurry" over and over, at least 5 times in the span of like 15 minutes. When John B, Sarah, and Cleo are running from the Kooks, it's hurry, hurry, hurry. It's either that the writers simply aren't trying anymore or so much of the dialog was filled in with improv that now that everyone hates each other (she says casually and not addressing it at all), they're unwilling to play. Either way, that's their jobs. This show should be so fun to watch and it's becoming a drag.

The filters

I know everyone has complained about the colors of this show the whole time, but it's becoming unforgivable. The blue nighttime filter? I want to throw something at my tv every time they use it. Shoot at night??? Or on a stage? There are options that aren't the most awful fake-looking filters in the world, which, by the way, make watching on any smaller screen completely impossible. I miss those season one South Carolina sunsets. It feels like we've replaced most of those with a really harsh yellow filter that makes lighting people impossible.

Pogues vs. Kooks

That was the setup for this show, right? The haves and the have-nots? Two tribes, one island? Well, now almost every Kook is a Pogue and every Pogue is a Kook. They're muddling the message with bad results, because they still seem to want the tension and the storylines that result from it, but Chandler is a Pogue turned Kook, Ward was a Pogue turned Kook, so is Mike. JJ is a Kook turned Pogue, Rafe, RAFE of all people is working with the Pogues and engaged to one? With season five being the official last season, what will we be left with at the end of all this?

Interviews

So much of what they intended for this story, or what they want the audience to take from this story is told in interviews. I don't know if they're flat-out lying or they really think they nailed it in the telling. They say JJ is freaking out because he finds out he's a Kook, but that's not really what happened on screen, it seems more like he freaks out because their land is being taken from them and Luke's back and betraying them for a deal to keep him out of jail (yeah, not enough time spent on that). That JJ dying was the plan from the beginning which I don't believe was the case for one single second. "JJ is super jealous", where? Show me where because he barely glances at Kiara the entire second half of the season. They're two unsupervised children, dating, living in the same house, who barely ever touch, nevermind kiss. You're making this shit up to get the fans in a frenzy about it and not delivering in the telling.

The biggest fuck you

JJ dying. If talk is to be believed (and I do believe it) Rudy asked to leave and the Pates granted this request by killing him. I'm pissed as hell that the Rudy/Elaine/Madison/Mariah whatever it was ruined a truly great character and couple (the thing that brought me to this show in the first place) and I'm also pissed that it was written this way. Their right as writers and showrunners, I guess. BUT. There is a way to do this and have it make narrative sense and spur the story on and it is their job as writers to figure that out. What they did was strap him with an insane storyline about biological parents that makes no sense, act completely out of character for much of the season, have him pick up a drinking problem that he's never had before (becoming a liability for his friends), and have his new daddy kill him with a 1-inch blade in retribution for *checks notes* not letting him out of a well? Oh, and having his friends bury him in an unmarked grave in a land far from home, a home that they really can't even return to without some of them going to jail for a long time. And now they're out for revenge, as suggested by Rafe.

What is season five going to be? Losing JJ (and Jiara by extension) is a devastating loss for this show. Saddling John B and Sarah with a kid on the way while on the run and actively pursuing very bad people is irresponsible. How can we bring it on home in a way that honors these characters and makes sense of the mess they made of this story? How can we bring it on home at all? I'm not sure, but I guess we'll find out when the time comes. Lord knows, I'll be here until the bitter end.

[korrasera]

None of those points actually excuse anyone.

There are plenty of examples of fake leftist cosplayers who shouted genocide Joe and actively tried to discourage voting. We can criticize Democrat strategy all day long and it still doesn't change the fact that fake leftists played their part in discouraging people from voting. I'm not going to blame the entire election on them, but they played their part and now they're all busy whining about how it wasn't their fault that Trump won.

Also, people don't vote to take a sledgehammer to the system, they vote to change things in the hopes that the next thing will be better. And if there is no better thing, that's when despair kicks in and they just don't vote. That's why every incumbent party facing election in a developed country lost vote share this year, something that's never happened before.

The equation is fairly simple. When the economic situation sucks, people want a change. The problem isn't that people want to destroy the system, the problem is that they're not educated well enough to know that sitting out and letting Trump win will make things much, much worse.

About Gaza, the United States doesn't have the power to stop Netanyahu and never did. Anyone who thinks that doesn't actually understand how international politics works or what the US relationship with Israel is.

Israel is a soveriegn state and is not some sort of vassal that does the bidding of the US. They're going to do what they want and Netanyahu has demonstrated that clearly. The most we could do is to use our leverage to push Netanyahu to stop the genocide.

Biden's administration did almost everything they could to exercise that leverage. Personally, I would have liked to see an official end to any kind of offensive aid to Israel, but they still created a de facto stop to that supply when Biden introduced massive delays in the processing of offensive aid to the Israeli military. Delays that will probably get removed now that Trump is going to take office.

And yes, if Harris had gotten elected then she almost certainly would have continued putting pressure on Netanyahu to stop the genocide. Which is far better than the fact that Trump has openly said he's going to accelerate it.

If you base on your decisions on the idea that the US could just flip a switch and stop Netanyahu, you're watching a 90's political thriller, not paying attention to reality.

And finally, you're dead wrong about the idea of left vs right rules. You don't beat the Republicans by being more authoritarian than they are. You don't beat them by rebroadcasting propaganda. You beat them by reaching out to places where people are isolated and uninformed so you can offer real education about politics.

The right isn't getting stronger. We're just failing to educate people who would vote on the left if we didn't abandon them to they braying of a bunch of fake leftist cosplayers or let them starve in information deserts.

We tried to warn you, and you wouldn’t listen to us over the sound of your own self-righteousness. You must be so proud of yourselves.

[stop-breaking-my-heart-telltale]

Sorry, but can I just stress something about Louis that drives me insane? 

In his route where you've saved him, he kills Dorian. Louis directly kills another person. He shot her with a crossbow through the mouth.

It’s unavoidable. 

Sure, it’s considered an accident, and even so, it was also self-defense—Dorian sure wasn’t there for a friendly chat, after all. 

But here's the thing... of the Ericson crew, we know that Clementine, AJ, and Marlon have killed someone. And Minerva if you want to count her, too, since she once was part of the group . But the others? Maybe they have killed before and we just don’t know about it, whether it be out of mercy or self-defense.

Violet in her route had the chance to kill Minerva, but understandably, she didn’t. She opted to shoot her in the shoulder instead… but we never see her kill anyone herself. 

Maybe you could count indirect kills because of the bag of bricks/log that kills Yonatan, and maybe you could consider Mitch’s death as indirectly Tenn’s fault… Speaking of Mitch, he tried to kill Lilly, but we all saw how that turned out, didn't we? 

…but Louis? He killed Dorian. That was his first kill. His first. 

And he feels awful about it! He apologizes to the body as it lays warm at his feet! He’s shaking and can barely speak!! It feels like bile! He doesn't even have time to process it because uh oh, the boat's going to explode!

But he’s also been so hardened over the season by everything that’s happened to him that he comes out of it glad that he has it in him to kill because if that’s what it takes to protect Clementine, AJ, and his family and home, then he’ll do it even if he doesn’t want to.

How does that not drive anyone else utterly mad?

Fandom considers him the funny guy! He's cute and silly! He makes Clementine laugh!

He's also done murder! He's taken a life! Just like Clementine and AJ have! Just like Marlon did!

And honestly, I think this also leads to him forgiving AJ for killing Tenn because at this point, he understands. He hates it, and he wishes it didn’t have to be this way, but he gets that AJ saw something that he didn’t. Louis knows that AJ’s hurting just as much as he is, he even says as much if Clementine says anything other than “AJ saved your life” on the bridge. 

He relived Marlon’s death when Tenn died, but it’s not like his hands are clean, either… and neither were Marlon’s. Clementine’s hands definitely aren’t clean. 

It drives me crazy that best friends Louis and Marlon have each killed someone in TFS but Marlon killed Brody in a moment of panic because he’s a coward who wanted hide what he did while Louis killed Dorian in a moment of panic because he was trying to save Clementine from Minerva and she came up behind him like… hhhhnnnnggggggggg, y’know?

Oh, and don't even get me started on the clouis aspect of this because I'll lose it. He talks to her about it because he knows she'll understand, just like how she's always understood him. How he goes out of his way to tell her that having a home means protecting it and he's going to protect it [that home being her, AJ, and Ericson] no matter what because he wants to build this new life with her aaaaaaaaaaaaaand I've lost it—

[soft-pine]

1.14 nightmare // cn discussion of domestic violence and suicide

what an aptly named episode. this is one of the most upsetting episodes of the whole show for me. while it touches on themes that i love - what if the monster was family - the way it handles ms miller is deeply uncomfortable. and max's story is just downright awful.

i do find it interesting that this is the second time this season where dean is arguing that they have to stop someone even if they happen to be human. while sam is vehemently insisting that them being "human" means they have to take another approach.

the first is in faith:

DEAN: Sam the guys playing God, he's deciding who lives and who dies. That's a monster in my book. SAM: No. We're not going to kill a human being Dean. We do that we're no better than he is.

and then again here:

SAM: Dean. He's a person. We can talk to him. 

i've said and i'll say again that dean understands that monstrosity is the result of actions and choices not something intrinsic. i think sam sees monstrosity and humanity as more of an intrinsic dichotomy and that's one reason he struggles so much in season 2. anyway.

but really what i want to talk about is ms miller. and how clear it is that she is also a victim of domestic violence. i understand, deeply, why max is so angry with her and why he sees her as an extension and enabler of his abusers. but i simply cannot fathom a world where max is experiencing the torrential abuse he's suffering where those people are not also harming ms miller deeply.

max accuses her, "You didn't do anything. You didn't stop them, not once!" their old neighbor says, "the worst part was the stepmother. She'd just stand there, checked out, not lifting a finger to protect him." the neighbor's claim always strikes me as a remarkably cruel reading of someone who is clearly also suffering and likely dissociating. like idk man of course i think adults have responsibility in situations like this (and i do appreciate the nod to the cops being useless) but like... "the worst part" THE WORST PART was the stepmother. i kinda feel like the worst part was the abuse, no?

but the upshot of it all is that ms miller's implied abuse seems like it has no witnesses. and that's of interest to me because of some interactions we've already dealt with in season 1.

in 1.03, we get this exchange:

DEAN: ... all that anger, you can't keep it burning over the long haul. It's gonna kill you. You gotta have patience, man. SAM: How do you do it? How does Dad do it?

then this in 1.08:

SAM: Remind you of somebody? Dad? DEAN: Dad never treated us like that. SAM: Well, Dad never treated you like that. You were perfect. He was all over my case. You don't remember?

and at the end of 1.14, sam says:

SAM: Well I'll tell you one thing. We're lucky we had Dad. DEAN: Well I never thought I'd hear you say that. SAM: Well, it coulda gone a whole other way after Mom. I little more tequila and a little less demon hunting and we woulda had Max's childhood. All things considered, we turned out ok. Thanks to him.

listen, i would never argue that john winchester didn't abuse sam. but i think it's interesting that though sam is critical of john's parenting and though he has complaints about how john treated him, he doesn't seem to think john treated dean poorly.

which, we just simply know he did. we know it because john does it in 1.09, 1.12, 1.20, 1.21. and because we're told he did in 1.18, 1.22, 2.01, 4.19, 9.07, 14.11, 14.12, 15.20, i mean i could go on.

and not that i have to filter everything through season 14 episode 12 prophet and loss. but i will. because it very clearly lays out how 1. dean was forced into the role of keeping the peace and 2. john would treat dean badly in ways dean wasn't sure sam was witnessing.

DEAN: I know things got dicey… you know, with dad… the way he was. And I just… I didn’t always look out for you the way that I should’ve. I mean, I had my own stuff, you know. In order to keep the peace, it probably looked like I took his side quite a bit. Sometimes when I was… when I was away, you know it wasn’t ‘cause I just ran out, right? Dad would… he would send me away when I really pissed him off. I think you knew that.

the uncertainty behind, "i think you knew that." ough.

but bad boys goes even farther here:

SAM: Hey, Dean ... I mean, why didn't you just tell me you went to a boys' home? DEAN: I don't know. Uh, it was Dad's idea. And then it just – you know, the story became the story. I was 16.

john told dean to lie to sam about what was happening to him.

so what does this all mean in an episode where dean is somewhat mirrored to and protective of the allegedly bystanding stepmother?

that abuse is shitty, cruel, secretive, and protects itself by pitting its victims against each other.

i don't know i wish i had something a bit clearer to say than all this. but it's just sad.

[the-wonder-in-his-eyes]

one thing my mother does that drives me up a fucking wall is she will stand right next to the trash can, ask me if i want whatever she's holding, and when i say "no, you can throw it away" will LITERALLY WALK IT OVER TO ME AND SET IT NEXT TO WHERE I'M SITTING AND GET MAD AT ME WHEN I DON'T IMMEDIATELY THROW IT AWAY LIKE - ?!??!

[cazort]

I strongly agree with almost everything in this post, but I have one quibble, and this is the use of the term "moderate".

I find this frustrating because I'm trans and nonbinary, and I consider myself a moderate, and I very much dislike how some people use the term.

Being a "moderate" on trans issues does not mean caving to any of the right-wing attempts to roll back trans rights. What it can mean, however, is:

wanting sports leagues or their independent governing bodies to make their own decisions about who can and can't compete on what teams (contrast with the right-wing stance saying they want the government to bar trans people from competing even if sports leagues want to allow trans people to compete, but also contrast with far-left stances saying they want the government to force all independent sports bodies to accept trans people according to some set of criteria that the government sets) Why am I moderate on this issue? Because I don't want trans identities politicized. I don't want politicians to be debating our rights. If it's kept in the realm of the independent sports bodies, it's kept out of the political sphere and I see that as a win.

wanting all trans people to face zero pressure one way or the other when it comes to any sort of medical transition (contrast with the right-wing stance which wants to make medical transition illegal, or at least ban it for minors and make adults have to pay for it out of pocket, but also contrast with the transmedicalist stance which is unfortunately common in left-wing circles, which says that medical transition is the be-all and end-all of transition and trans people need medical transition to be happy, it's necessarily the right choice for all trans people, and you aren't really trans if you haven't medically transitioned) Why am I moderate on this issue? Because I see great pressure to medically transition both from transphobia (not having our genders recognized unless we transition) and from other trans people (glorifying the effects of transition, saying it will solve all our problems, etc.) and from left-wing pro-trans ideology which can get wrapped up in transmedicalism (equating "transition" with medical transition, equating medical transition with transness, etc.) and I hate this pressure. When people don't desire medical transition, it can lead to regret. When people do, it can mess with our motivation because it can be hard for us to sort out which desires or motivations are innate vs. which are imposed on us.

wanting people to be a bit more tolerant of the language people use, especially in the absence of any overt rudeness or explicit proof of bad faith. For example, not berating people or snapping at them for using the wrong pronouns (only politely correcting), not criticizing people or telling them they are "wrong" or "transphobic" for using older terminology (like "FtM", "MtF", "became a (wo)man", etc.) Why am I moderate on this issue? Because I've seen so many people get attacked, sometimes brutally, for using the "wrong" terminology, and this then makes the trans rights movement look unreasonable. Also the single worst stereotype I have to contend with as a nonbinary person is the expectation from others that I will be "demanding" and get angry at them if they use the wrong pronouns or gendered language to refer to me. And this is so frustrating because I'm actually laid back about these things, but I have to contend with these stereotypes in part because a lot of people do react this way.

wanting any pro-trans people to be more understanding of things like how it can be hard mentally and emotionally to adjust to people changing the gender, name, and/or pronouns they are referred to by. Why am I moderate on this issue? Because I prefer they/them pronouns and yet I still find it a bit hard or awkward sometimes, even though I prefer them over he/him and she/her pronouns. And more broadly, even though I'm nonbinary, I find the concept of nonbinary genders highly abstract and a bit confusing and hard to wrap my mind around. So I figure, if it's hard for me, it's probably going to be even harder for a cis person so the least I could do is to have a little bit of patience with them. Also, I don't want people to perceive my gender as an imposition on them so I don't particularly want others to be abrasive or aggressive about enforcing my pronouns or gender.

So yeah, I'm a moderate on trans issues. What this means is that I want to keep government out of gender, and more broadly, keep trans people from being politicized, I want there to be no pressure to medically transition one way or the other, and I am tolerant of people using older and/or nonstandard terminology to refer to trans people, and I'm relatively laid-back about people misgendering me or using non-preferred terminology to refer to me.

It does not mean I want to cave to any of the demands of far-right ideology.

The state of gay rights in the early aughts was not good; criminal penalties for homosexuality were rarely enforced but were on the books in many places, there was no right to marriage, and the morality of homosexuality was hotly contested in public. Big culture war issue. In that environment, where substantive protections were lacking, Democrats could be tepid on gay rights without actively giving anything up—if, like Obama in 2008, you didn’t support gay marriage, you could still be seen (correctly) as advocating for an overall better situation for gay people, or at least one that was no worse, in contrast to your right wing opponents.

Trans rights are not in the same position. Before the big trans rights backlash started, access to gender affirming care was pretty widespread, was everywhere legal, and was a matter for private concern only. Trans people could play in school sports subject to whatever their league’s rules were, and the idea of trying to make it illegal to cross dress in public was absurd. The conservative position since has become one of an explicit rollback of rights: revoke access to gender affirming care, create new criminal sanctions to punish trans people, make it illegal for them to participate in school sports, etc.

In that environment, tacking to the right on trans issues means deciding which elements of trans rights you are willing to concede to this project of actually rolling back trans rights. The only thing comparable from the gay rights fight is maybe state constitutional amendments to ban gay marriage, or DOMA—all of which were, IIRC, passed despite gay marriage not being legal in affected jurisdictions. Their enactment, while deplorable, had no material negative affect; gay people already couldn’t get married.

And that this project of rolling back trans rights is not a particular fetish of the religious right is more worrying. Plenty of liberals and liberal institutions are pretty transphobic. Britain has been working to export its flavor of (Moderate, Sensible, Secular) transphobia to other countries in Europe and the Anglosphere. Transphobes winning these fights isn’t a status quo situation—it’s a sharp increase in repression of trans people.

In light of that, I regard calls to “moderate” on trans issues with at best scorn. I think the party of civil rights condoning the rollback of citizens’ civil rights is really bad for its brand, won’t win it more votes, and may sufficiently alienate members of the base—who are invested in the party specifically because of its historic support for civil rights—that they simply don’t bother to show up in elections.

[aquanutart]

Nyaha~! Caught in my electroweb! ♡

[imminent-danger-came]

Sandy: "Hurting others isn't a measure of one's strength—took me a really long time to realize that. As long as I'm doing something to help out a friend, I don't mind what it is! I just want to be there for 'em when they need me. Because at the end of the day, helping my friends is more important than anything else in the world!"

(2x08 To Catch a Leaf)

-

Macaque: "She's completely out of control! If there's a time to go, it's now." MK: "NO! Mei is my best friend, I'd never abandon her when she needs me! We're heroes, it's what we do!"

(3x10 The Samadhi Fire)

-

Azure Lion: "I thought I arrived in time to contain the curse, but, based off of your expressions I would hazard a guess that Sun Wukong has already been consumed, along with your friends." MK: "But it's fine right!? We'll just pop this bad boy open and get them back!"

Azure Lion: "It's too late to save them, we can't risk unleashing the curse into the world!" MK: "You don't know, we'd risk it for sure! I won't abandon them when they need us."

(4x02 New Adventures)

-

Yellowtusk: "I know full well what will happen should Azure fail, but- but he is my brother. I owe him my life." Sandy: "We get it! I'd do anything to help my friends, but at the cost of the world?" Pigsy: "I'm sorry pal, but NOTHING is worth that price!"

(4x13 Rip and Tear)

-

Being there for your friends when they need you, but at the cost of the world.

[tevatron]

i'm so glad i won't be working with my pi after this month. i think i've reached my limit. i just can't deal with her anymore

[lamentationsofalonelypotato]

@zepskies

Girl, it's not just an emotional rollercoaster it's a full on emotional CARNIVAL 🤣

I love this observation. That's exactly what I felt inherently when I was writing that line. It felt more powerful to me than "I told you so" or the like. It has the feeling of that, but with more of an edge, even though you know he cares about her.

The line is devastating. It ''bites." It's more than just telling someone that they messed up, it's also kinda catty lol.

LMAO I remember someone saw the preview of Part 2 and commented, "the quiet, but devastating anger he'd be reckoned with if he said that to me." And I was like, YEP, that's exactly it. Mans playing with his life. 😅😅😅

He really bet it all. And I'm in love with the person who said "the quiet, but devastating anger he'd be reckoned with if he said that to me." 😂

That's precisely how I intended it! Now looking back, I feel like I should have had her leave him by himself in his room to sleep in another room. But at the time I was writing, I was thinking that for her in particular, despite this being the biggest fight they've had so far in their relationship, he's still the one that makes her feel safe after a bad hunt. 💙

I think it would have been a bigger gut punch to Dean if she didn't stay in the room with him, but I still think that the her turning her back on him and not letting him touch her kinda hit the nail on the head pretty well too.

Aww thank you! 😭😭 Weirdly enough, that was one of my favorite parts to write? Maybe I just like the heartfelt hurt/comfort breaking into fluff moments. The "better off alone" thing I thought was implied throughout the later seasons of the show after Dean lets go of Lisa and Ben, so I wanted to explore that deeper here, even though it hurt my heart to write it. 💙

It's not weird, I think that it's really fitting! And I also really like writing the heartfelt hurt/comfort breaking into fluff too lol. But you're absolutely right, Dean really does adopt that mentality after Lisa and Ben and it is really heartbreaking to see him like that.

Everyone's crying!! 😭 YES ABSOLUTELY SHE DOES -- and she's a verified crier. I see a lot of fics where the reader is tough as nails, "doesn't cry very often," but I wanted to create a reader character who is a badass, but still has a soft heart. (Latinas also can be very emotional, but not to say we're adhering to stereotypes around here LOL. 🤣🤣)

As much as I do love the readers who are "tough as nails" and "doesn't cry very often" I love the readers who are strong but are allowed to break. It makes them seem more real. Because as much as I believe that there are people who are completely just insane badasses, they've gotta have some kind of emotion or compassion or else they don't seem human. Also "Latinas also can be very emotional, but not to say we're adhering to stereotypes around here LOL" I'm DEAD 😂

Sorry for jerking the angsty chain again there! 🤣 Poor guy, he went through an ordeal just as much as she did.

Please never apologize for the angst. I LOVE IT! And I really did also love how emotional this fic made me. It was wonderful lol.

Fun fact on her confession! When she says I love you twice, she's actually saying it in two different ways:

I love you, you’d said. I love you ("te amo," you're my love) and I love you ("te quiero," you're my family), more than you can believe and understand.

GIRL WHAT?! OH MY WORD THAT IS JUST SO MUCH BETTER! Thank you for explaining that to me!

Thank you SO very much!! Honestly you don't know how happy it makes me that you're enjoying this series so far -- and spoiling me with such lovely and thoughtful feedback. 🥰💕💕

No, THANK YOU for writing this wonderful fic/series! 😊

Devour Me - Part 2

Pairing: Dean Winchester x Plus-Sized/Latina!Reader 

Summary: When you and Dean start to press each other’s buttons, both of your tempers ignite. To make up for it, you give him an impromptu salsa dancing lesson…one he didn’t exactly ask for. (18+)

AN: Here's Part 2! **Read Devour Me: Part 1

Song Inspo: “Yo No Se Mañana” by Luis Enrique. But really it’s “Ven Devórame Otra Ves” by Lalo Rodriguez. (You’ll see why.) 🤭

Word Count: 5,400

Tags/Warnings: 18+ only! Blood, character death and violence, smutty smut, angst, Dominican slang, and tons of sexy fluff.

☕ Midnight Espresso Masterlist

Part 2: "Telenovela Style"

Your resulting scream of agony is as unforgiving as the ground when your knees buckle, hitting the hard cement.

Andy grips you with the strength of a monster. 

Then he holds you down as he drinks your blood. 

No matter how you struggle and whimper, you can’t push him off, and you’re getting weaker by the second.

Until Andy is ripped away from your neck, and is taken care of the way all vampires must be. He doesn’t even feel the blade coming. 

When you’re able to look up, Dean stands above you with thinly veiled fury. He doesn’t have time to consider what he’s just done. 

He bends to gather you up into his arms, all the while trying to stamp down the panic clenching his heart. He calls your name, but you can only make weak sounds as your bleary eyes meet his. 

“Dean,” you manage. The ragged wound in your neck is bleeding profusely down your chest and shoulder, seeping into your shirt. He takes your hand and clamps it hard against your neck, even though it makes you whimper.

“Gotta stop the bleeding,” he says, apologetic but firm. “Keep pressing.”

In your stupor of pain, you don’t realize that your screech woke the entire nest. Dean has to lock up his worry; he looks up and finds his brother and Cas already fighting a hoard of angry vampires. 

Dean carries you over to them and lays you down against the wall with the other humans. He keeps a protective line in front of you, but he decapitates a vampire before she can sink her fangs into Sam next.

The two of them work together, and with Castiel’s smiting power behind them, the angel and the two men are able to clear the rest of the nest. 

By the end, only you and two of the women being held captive are still alive. The third girl’s heart just finally gave out. Sam takes the survivors to the nearest hospital. 

Meanwhile, Castiel approaches where you sit up against the inside of the barn, barely awake, while Dean kneels with you, holding you to his chest. He meet’s Cas’s blue-eyed request with a nod. So Cas stretches out a hand and touches two fingers to your forehead. 

You’re healed in an instant. Dean marvels, like he always does when Cas displays his power. Dean is able to breathe a little easier, the vice grip on his heart easing as he touches your neck.

The tan skin is once again smooth, if still stained with blood. You blink back into wakeful consciousness. 

He shifts so he can see your face. “You okay?” 

You meet his eyes but can only nod. His jaw is still tight and tense, and you can’t blame him. 

You know you’ve messed up. Big time. You nearly got everyone killed, including yourself…and now, you have to tell a mother that her son is dead. 

Dean helps you up, holding you by your arms and waist until you’re steady on your feet. You have a hard time meeting his eyes, but when open your mouth to apologize, he beats you to it. 

“I hope you’ve learned your damn lesson,” he says. 

Your gaze snaps up to his. “Excuse me?”

Dean’s hands go to his hips as his brows raise at you. 

“Next time, when I tell you to hang back, I mean that shit. Hang the hell back,” he all but growls. 

You tilt your head at him as your irritation begins to spark. Meanwhile, Castiel is the one who backs up as he glances between you and Dean uncertainly.

“I made a mistake, but that doesn’t give you the right to tell me what to do,” you shoot back. “I was a hunter long before I met you.” 

“Yeah, well, color me surprised that you’ve made it this long,” he snaps. 

Your temper flares hotter. “You know, you’re not so goddamn perfect either.” 

“Never said I was,” Dean says. “But when my gut tells me something ain’t right, I need you to fucking listen. Otherwise, we get a day like today.”

His words are edged with grit by the end of his little rant, and you don’t appreciate it. Your lips purse in anger.

“I don’t care what that legendary gut tells you,” you sass back. “I’m not a little girl, and you’re not my damn father!”

Dean raises incredulous brows at the way you’re shouting at him. He crosses his arms. 

“What’s this, some kind of Latina temper?” he asks snidely. 

You truly become incensed at that. 

“Oh, you want to take it there?” you ask, as your eyes narrow. “Que sin vergüenza tú eres. Sigue jodiendo conmigo, coño. Entonces tú vas a ver quien soy yo.”

Dean won’t admit it, but in that moment, he’s a bit intimidated by the quiet threat in your voice. Still, his fuse is lit, and he’s way beyond curbing his internal filter.

“Oh, I’m sorry, does this telenovela-style tongue lashing come with subtitles?” he snarks. 

You let out an incredulous breath. Your eyes begin to sting.

“You’re such an asshole!” you shout back. There, understand that?

You turn away from him before your frustrated tears can fall, but you stop short once you notice Castiel dragging out the bodies of the dead…including Andy. Your throat constricts, and you begin to stalk out of the barn. 

Dean calls your name in frustration. 

“What?” you hiss. 

The only thing that makes him hesitate is seeing the state of you when you turn back around. His anger crumbles, and maybe something in him breaks when he sees your tears. They’ve welled up in your eyes, and a few of them carve a path down your cheeks. 

You’re still covered in your own blood, and he hates it. He hates it more than anything. 

Later, you see the state of yourself when Sam returns with the Impala. In the reflection on the backseat window, you see the blood dried down your neck, staining nearly half of your shirt.

You see the black rings of your mascara and eyeliner around your eyes. You look a mess, and you try to wipe underneath your eyes. It’s a fruitless effort.

After you all finish burning the bodies, Dean starts the long drive home. You insist on stopping to tell Rachel Campbell about her son, but Sam says he already took care of it when he drove into town. 

You frown, but you no longer have the energy to be angry. You further withdraw into yourself, and your lower lip trembles as you look out the window. Through the rearview mirror, Dean sees more tears slipping down your face.

What Sam told him (but he won’t tell you), is what one of the survivors said. One of the mated pairs had taken Andy…to “adopt” a son of their own. 

That night is quiet and tense in Dean’s room. You have to wash your hair all over again, and scrub the blood and grime from your body until only your skin remains. But you don’t have the energy to do more than braid your wet hair afterwards and pull on your lucky Journey shirt, which is still full of holes. 

Dean knows that it’s bad when you need the “dreamcatcher,” as he’s called it in his head. You’ve never had a nightmare while wearing that shirt, or so you claimed a while back. 

You wear it over some long pajama pants instead of your usual shorts, or better yet, nothing at all. But he can see what kind of mood you’re in. Things are unsettled as you both get ready for bed in silence. 

He notes the way you turn to face the other side in bed, maybe to avoid him. Though if you really wanted to do that, you could’ve gone to your old room.

So in more ways than one, Dean takes some solace in the fact that you’re still next to him. And he decides to give you some time and space. 

He goes to bed and tries in vain to sleep.

In the morning, Dean’s woken by the familiar smell of coffee…and the less familiar sound of loud salsa music. 

What the fuck?

After he brushes his teeth, he puts on his robe and slippers and heads down to the kitchen, where he finds you in a seemingly better mood. You’re mopping the floor, of all things. You’re out of your pajamas, instead wearing a loose shirt that falls off your shoulder and some spandex shorts. 

“Yo no se mañana…yo no se mañana. Si estaremos juntos, si se acaba el mundo,” you sing softly along with the music as you dance from the kitchen to the living room. Your phone is connected to a Bluetooth speaker on the coffee table. 

Dean starts to smile, crossing his arms as he leans against the doorway to watch you.

At an instrumental break with a run of conga drums and trumpets, you pause in your mopping to do a little twirl as you dance, with a soulful roll of hips and a flair of salsa steps. It makes Dean’s smile kick up into a smirk.

He walks in on purposefully light feet until he’s sidled up behind you in the living room.

“Nice moves, Shakira,” he quips. 

It startles a shriek of surprise out of you as you whirl around. Dean’s smile hikes up into a grin, but it soon fades when he remembers the way your scream rang through his ears last night. The way his heart dropped into his stomach, and his head swiveled at the sound. And he saw you go down hard. 

Then the rest of it tumbles through his mind—what he had to do afterwards in order to save you. How he’d did it without really thinking, his panic and determination blocking out almost everything else when he’d grabbed the kid. The monster, he forcibly reminds himself. 

“You trying to give me a heart attack?” you ask with a hand on your heart. 

Dean forces himself to smile a little. “Sorry. But might I remind you, not everyone here’s an early bird.”

You give him a wry look.

“You’re the only one around here who sleeps past 10 a.m. Cas dipped out a while ago, and Sam’s on a run.” 

But you graciously grab your phone to lower the music to a more bearable level. Dean doesn’t yet know this about you, but this—listening to music, dancing, cleaning—it’s all your way of coping…and releasing as much of your pain, terror, and regret from yesterday as possible. 

You then look up at him more guarded. The two of you exchanged a lot of unsavory words last night. In fact, it may just be the worst fight you two have ever had in almost three years of knowing one another.  

Dean senses the shift in you, and his amusement fades. He just can't let things stay like this. He won't.

He hazards drawing closer and touching your arm.

“Look…I’m sorry for snapping at you yesterday. I know I was being a dick,” he says. “You’ve just gotta understand something.”

You wait for him to continue with furrowed brows, sensing that whatever he’s about to say is hard for him. 

“There’s a reason I don’t do this. The uh, relationship thing,” Dean continues, clearing his throat. His thumb swipes along your arm. “It’s not just this job. It’s my fucked up life. I tried to warn you before—” 

“Dean,” you say with a sigh, but he raises his hand. 

“Please, just…let me say it,” he says. “You know the spiel. But things can change on a dime. Even on a damn milk run, like a dusty nest of vamps.”

You know that. You know you could’ve died yesterday, and he doesn’t need to remind you of that fact. Before you can start to get petulant again though, Dean continues. His jaw is working, like this next part is more difficult for him to admit.

“Trust me when I say, us being together is dangerous, for both of us,” he says. “For a while I, uh…I started to think Sam and I were better off alone.”

That casts you into dismay. Because you know Dean isn’t lying. He’s really contemplated spending the rest of his life devoid of love, so he won’t have to lose it. 

Dangerous, for both of us.

You realize then what Dean’s really saying. He’s afraid…afraid to lose you. You see it in his furrowed brows, the downturn of his lips, and whatever pain he’s trying to hide in the depths of his eyes. 

And just like that, the water works start. You can’t quite keep your tears at bay as you hold onto his shirt. He lets out a resigned sigh as he holds you by your arms. 

“You don’t have to cry for that,” he says, a bit teasing. 

“Have you met me?” you sniff. But you manage to look up at him with your glassy eyes. “I’m sorry too. God, I’m so sorry, Dean.” 

Your fist clenches in his shirt when you remember Andy, latched onto your neck, and how Dean had to save you. You know he’s remembering it too when his brows furrow, and his gaze falls away. You reach a hand for his cheek.

“I know I fucked up,” you admit. “I was working with my heart, not my head. I just…”

You wanted so badly to help that kid and his mother. You also know that Dean understands; you see it in his eyes. He holds your hand to his cheek and brushes his thumb across the back of your hand.

“I know,” he says. “I really am sorry, baby.” 

The problem is, you didn’t just see your own mother in Rachel. She hadn’t been much older than you. And when you imagine a life beyond hunting, more than anything (no matter how much you shove down the idea), you really do want a family of your own someday. 

It’s just…days like yesterday remind you why that could be a very bad idea. 

More of your tears bubble over, and you head willingly into Dean’s arms. “Me too…”

He holds you tighter than ever. His hands rub down your back, tangle in your hair, and he drops his lips onto your hair. You sniffle, wiping your face dry in his shirt. And for a while, the two of you have peace in the relative quiet. 

Music still plays from the speaker though. And when another salsa song starts to play on your playlist, you start swaying. A smile works its way onto Dean’s face. 

“You can’t help yourself, can you?” he teases.

You smile into his chest. “We should go dancing sometime.”

Dean just laughs. “Oooh, no.”

“Oh, yes,” you reply, batting your lashes up at him. You slip a hand on his shoulder and into one of his hands. He’s forced to hold you as if the two of you were about to start Fred Astair-ing across the living room. 

“Have you ever danced before?” you ask. “Like real dancing.” 

“Not salsa, I’ll tell you that,” he quips. 

“That’s okay. I’ll teach you,” you reply with a coquettish smile. “It’s just a few simple moves.”

Dean gives you a wan look. “You made it look anything but simple.”

You blush at that, but you meet him with a pout of disappointment. You don’t let up, even when Dean frowns. He huffs at you in resistance.

“No,” he insists. You just brush a gentle thumb along his neck, biting your lip in askance.  

But the longer he stares at your beautiful, hopeful eyes, the more cracks form in his resolve. 

Eventually, Dean breaks with a sigh, and a shake of his head. 

“You’re too much, you know that?” he mutters.

It’s then that you know you’ve won.

So with a happy squeal of excitement, you clap your hands and move to stand next to him so you can show him the basic steps of salsa dancing. 

You make him take off his robe and slippers, leaving in his shirt and plaid pajama pants. Then you instruct him for a few minutes, correcting his footing and getting him to move on a beat. You’re pleasantly surprised that he has some rhythm.  

Dean sighs once again. How the hell did we get here? Heat crawls up the back of his neck as embarrassment starts to set in. 

“This is fucking ridiculous,” he grumbles.

“You’re doing good,” you encourage, with a growing smile. “Now come on, feel the beat in threes. One, two, three. One, two, three…”

Once he sort of has the basic steps and turns down, you move to stand in front of him. There you show him how to hold you, how he’ll move forward, and you’ll move back. It takes a little while, but you slowly move through the combinations, then do a little twirl underneath his hand. 

When he pulls you back in without faltering, you give him a beaming smile. “Very good!”

A subtle grin raises his lips at your enthusiasm. He also feels his face heating up at the praise.

But you pause when a certain song filters through the speakers. It’s an old one (and it never fails to make you blush), but you love it.  

“Ooh, yes,” you exclaim with delight, and you turn up the volume.

“What’s this one?” Dean asks.

“Ven Devórame Otra Ves,” you inform him. Not that he knows what that means. You sing along a bit with the first couple of verses while you encourage Dean to lead you in the dance. 

This song is just slow enough for him to attempt it, and the funny thing is, he doesn’t feel all that uncomfortable with the steps now. He’s starting to get a feel for how to move, both with his feet, and with his hands as he guides you by your waist, holding your hand close to his chest. Still, Dean’s also curious about the lyrics you’re singing. 

“What does it mean?” he asks.

You huff in amusement. “You sure you want to know?”

Dean raises a brow. “Well, now I gotta know.” 

You giggle at that, though you correct his steps when he leads with the wrong foot. 

“Okay. It’s about a guy who’s pretty much a player,” you say with a smirk. “His bed has been a revolving door of hot ass, but he keeps thinking about this one woman who used to have him turned inside out…”

Dean’s lips curve at the familiar image you’re conjuring. He manages to turn you under his hand, then pull you back to him in one smooth motion. He looks down at you with a deeper gleam in his eyes. You bite your lip, soothing your hand from his shoulder and down his arm.

As the song’s verses come, you translate for him. And for Dean, your voice in itself is a spell.

“Even in my dreams, he says, I thought I had you devouring me. And I dampened my white sheets remembering you,” you begin. Your words are smooth like black velvet. “In my bed, no one is like you, who draws my body on every corner, without a piece of skin left over.”

Dean is getting hot under the collar as you push away, dragging your fingertips along his back as you turn around him. When you come back into his line of vision, his attention is attracted to the sway of your hips, clad just in those little spandex shorts. He has to clear his throat a bit. 

You eventually return to him with a warm hand against his chest. 

“Ven, devórame otra ves. It means, come devour me again,” you continue, looking up at him from under your lashes, “Come punish me more with your desire. Because I kept my love for you…because my mouth has the taste of your body.” 

You smile at the laser focus of his green-eyed gaze. “Come devour me again.”

You push off with another little spin. When you reach for his hand, Dean yanks you back into him, eliciting a gasp. The move disorients you for a moment, but you giggle and hold onto his arms. Your hands glide up to rest on his shoulders. 

He’s holding you flush against him, and as you shift a thigh between his legs, you unintentionally graze against his hardening length. You look up at him with a smirk.

“You’re a little…stiff,” you say, both flirtatious and teasing. “Let’s loosen you up.”

You shake his shoulders out and try to get him to relax. Dean raises a wry brow, because you know damn well whose fault it is that his body is coiled tight. But you place his hands on your hips as you move back into the dance. 

“Feel what I’m doing there?” you ask. He looks down on you with growing heat.

“If I could do that, we wouldn’t be together,” he rumbles. 

You try to stifle a laugh as he pulls you in close again, just swaying for a bit. Soon enough, you grin knowingly when his hands start to slide lower on your ass. His head bows to yours, ready to meet you with a kiss. 

You stop him with your finger on his lips.

“Question: do you consider yourself more of a tits or ass man?” you ask him. You’re half teasing, but still curious. Dean snorts at the question. 

“More of a connoisseur,” he replies, smirking. 

“Ah.” You nod sagely, and you point between him and yourself. “So this is like a ‘sample the menu’ situation.”

Dean’s smirk deepens. “Sweetheart, you’re a goddamn buffet.”

You splutter laughing…and that’s when he finally pounces. He claims your lips with greedy passion. His hand winds into your hair, gripping tight and ruining what’s left of your loose ponytail. The strands coil around his hand in messy curls while he also gets a healthy grip of your ass through your thin shorts. 

You smile into his lips, even as you acquiesce to him guiding your head to the side, so he can slip his tongue against yours. You grip his arms more for stability while he manhandles you, kneading soft flesh and making pleasant tingles run up your spine. 

After a little while, his mouth burns a hot path away from yours. He noses down your neck, skimming his lips across your skin. It sets your nerve endings on fire and gets you breathing more shallowly in his ear. You cling to the back of his shirt, holding him close. 

Often he’s one to leave love bites of varying degrees, wherever he sees fit. But for a moment he stops at the crook of your neck, just pressing a lingering kiss.

He lets out a deep breath, and you realize he’s probably thinking about where you were bitten. The wound is gone, but it doesn’t change what’s imprinted in both of your minds.  

A softer smile grows on your face. You trail your fingers up into his hair, massaging the back of his neck. 

“I’m okay,” you remind him. Dean hums deep in agreement. You know, however, that he’s still thinking far too much.

So you slide your hands down, slow between the dips and planes of muscle in his back, and rest at his hips. Your thumbs delve under the hem of his shirt and tease the skin there. 

And you start slow, pressing wet, nipping kisses of your own to his neck while you inch his shirt up. You feel his smile on your neck. His grip on your hip flares to life. Still, he lets you tug his shirt up and over his head. Your loose shirt comes next, revealing the same black satin and lace bra you wore the first time he ever got you topless in his arms. 

A fan favorite. Dean grins. He reaches around to go for the clasp, but your firm push on his chest takes him by surprise.

He falls back onto the couch with a grunt, looking up at you then with raised brows. You’ve got a mischievous little smirk on your face that heats his blood and makes his cock twitch.

You take out the rest of your falling ponytail, shaking your hair out wild. Then you let your hands drift down your neck, over your clothed breasts, and finally to your little shorts.

Dean rubs his palms down his thighs and watches. A smirk forms across his lips as you slide the fabric down the curve of your hips. It leaves you in a red thong, familiar to him by the little tear it has on the front. (Again, his fault.)

You climb aboard his strong thighs to straddle his lap, using his shoulders as leverage as you sink down. You make sure to rub yourself teasingly against his clothed erection. He groans in appreciation. His hands fly to your soft, thick thighs and squeeze. 

“Aw, I like this,” Dean says, half on another moan as you grind down a bit harder on him. 

“Yeah?” you tease. You take his face in your hands and capture his lips with your own. Your tongue invades his mouth, and he welcomes you with a deep hum. It’s slow and hot at first, but Dean feels the loss of you when you break from his lips.

Instead, you treat him with the same trail of kisses he gave you, along the curve of his jaw and down his neck. But you don’t stop there.

Your hands move over his chest with purpose, tweaking over each hard nipple while your mouth burns a wet line down and down his sternum. Dean groans at your ministrations, but lets you leave his lap to slide down to the ground, between his thighs. 

“What’re you up to, baby?” he asks, despite having a very good idea of it. He catches the playful, yet determined gleam in your eye. 

You pause, briefly leaning back up to give him a heated kiss. You part from him with a grin. 

“Isn’t it obvious?” you ask. “I’m gonna devour you.”

Dean stares hard at you as goosebumps break out across his forearms. 

Oh, fuck yeah. 

A giggle bubbles in your throat at the expression on his face. But you continue, taking his pants down his legs first, before his boxer briefs. 

Dean’s body tenses in anticipation. You’ve gone down on him before, but somehow it’s different this time. He feels like every single one of his nerve endings stands at attention along with his dick. And you’re taking your sweet time working him up. 

Even when his cock is finally free, you sooth your hands down his legs first, maybe teasing him a bit as you drag your nails down his inner thighs. Dean makes a strained sound, though he tries to hide it by clearing his throat.

Your gaze flicks up to his with a little smile. He’s holding the back of the couch; his fingers are digging into the old cushion in effort to keep still for you. But his eyes stare into yours like a man starving. You know what you’re in for after you have your way with him, but for now, he’s quite literally under your control. 

So you take him in your hands first. Dean groans as you tease him with light touches, soft movements, your thumb slowly circling over the sensitive, weeping head of his cock. It's torturous enough to make him drop his head back against the couch, closing his eyes tight.

And suddenly, he blinks them open again.

“Shit,” he utters, when you finally take him into your mouth. Your tongue is soft and wet, your lips move over him steadily, and your hands caress whatever your mouth can’t take, even teasing his balls. 

You work him over relentlessly, until he can’t help but spill everything he has to give into your waiting mouth. When you suck off and swallow whatever remains, Dean’s heart stutters like syncopated conga drums. 

He shudders and struggles for breath afterwards, watching your every movement—from wiping your mouth to shooting him that satisfied little smirk. 

You press one last kiss to the inside of his thigh before you raise from where you’ve been kneeling on the hard ground. 

Dean manages to lean forward and helps you up by your elbows. But then he pulls you back into his lap and kisses you deeply. He doesn’t let up until you’re panting with him.

“Fuckin’ hell, sweetheart,” he manages to say. His voice is deep and laced with grit. 

He’s still panting heavily. You giggle and press your warming face into his neck. 

“What, now you’re shy?” he remarks. And he has to laugh. “Come back here.”

He brings your face back to him with a hand on your cheek. For a second, he just looks at you. His thumb strokes across your full, thoroughly kissed bottom lip.  

“Say it,” you encourage softly. “Whatever you’re thinking. Right now.”

A smile tugs at his lips. He can’t help but oblige you. 

“You’re too damn much,” he says again, both gruff and fond. Despite how you drive him up the fucking wall sometimes, he doesn't think it'll ever be enough for him, what he has with you.

Because this is something he'd almost given up on. Didn't think he'd get to have it. And it almost scares him, how much he wants you. How much he...

“I love you,” he says. His thumb traces along the familiar curve of your cheek.

It hasn’t been all that long, but he knows. You weaseled your way in without even trying. The least he can do for you is be honest.

Your fingers curl around his wrist, holding his hand in place. You tilt your head at him.

“Oh, yeah?” you ask. 

Dean hesitates, but he nods. “Yeah.”

A smile grows across your face. “Eh, I’m still on the fence.”

At his flat look, you laugh and lean in for a kiss. He allows it, a little petulantly. But you make up for it with sweet affection. Your gentle hands stroke down the column of his neck, down his chest. You then lean back so he can see your face.

“Yo te amo,” you whisper. “Te amo y te quiero, más que tú puedes creer y entender.”

Dean smiles. He doesn’t understand all of it, but he gets the important bits. He hears it in the tone of your voice. He sees it in your eyes. They shine with emotion, but mainly with love. 

Dean kisses your hand. He lets go, just so he can slip his hands around you to finally unhook your bra. He tosses it across the room without bothering to see where it lands.

You do though, and you meet him with a slightly narrowed gaze. 

“Are you making a mess of my clean bunker?” you tease. 

His lips curve as he kisses you again, while his hands each get a generous handful of your breasts. 

“Ah, hello, ladies." He grins. "Miss me?”

You can’t help but laugh. He’s such a dork sometimes.

But you hum when his thumbs brush over hardened nipples, then drag deliberate circles over them, and pinch just hard enough to make you whimper in pleasure. The sensation zips through you, enhancing the flood between your legs. 

“I fucking love that sound,” Dean mutters, and licks a hot path in the valley between your breasts. His lips move against your dewy skin when he says, “Do that for me again.”

When he takes a nipple in his mouth and nips a bit hard, you have to oblige him. Your voice rising high is music to his ears.  

So he goes for your panties next. You help him get them off and return to his lap. With a breathy moan, you revel at the feeling of his fingers probing into your wet heat.  

However, you and Dean have been too engrossed in one another to notice the door of the bunker unlocking, and heavy steps down the spiral staircase. 

It’s Sam who’s back from his run. Unfortunately, he soon has to shield his eyes upon reaching the living room. 

“Damn it, Dean!”

You yelp in surprise, but Dean laughs and holds you close to shield you from view. As a bonus, it presses your breasts against his chest. 

“All right, Sammy. Go to your room,” he chides playfully (but he means it). “The adults are havin’ a moment.”

Sam scoffs. “You’re having a moment on the goddamn couch!”

“Sorry,” you say, though it’s muffled in Dean’s neck. Your face is red hot with embarrassment. 

Sam rolls his eyes heavenward and tries not to see anything else on his way to his room. 

But Dean’s chuckle reverberates through your chest as his hand goes to your cheek. He encourages you to pull back, so he can see your face again. 

When he does, he smirks at the scarlet blush dusting your cheeks and neck. You bite your lower lip, but despite your embarrassment, you’re happy.

Your own words replay in your mind when you lean in for another kiss.

I love you, you’d said. I love you and I love you, more than you can believe and understand. 

AN: Yay! I hope you enjoyed Part 2 of the “Midnight Espresso”-verse! I loved writing this one so much. I know we're just doing fanfic here, but I genuinely put my heart and soul into this one. ❤️

Also, here are a couple of Spanish translations:

(Note: other Spanish-speaking countries may interpret certain words differently.)

[During their fight]: 

“Que sin vergüenza tú eres. Sigue jodiendo conmigo, coño. Entonces tú vas a ver quien soy yo.”

Translation:

“You’re shameless. Keep messing with me, damn it. Then you’re going to see who I am (<- This is Dominican slang. It essentially means fuck around and find out what I'm made of.).”

[Song lyrics: “Yo No Se Mañana” by Luis Enrique]: 

“Yo no se mañana…yo no se mañana. Si estaremos juntos, si se acaba el mundo.”

Translation:

“I don’t know tomorrow. I don’t know tomorrow. If we’ll be together, if the world will end.”

Keep Reading:

Next in this series is "Chico Malo" ("Bad Boy"):

Summary: You catch Dean red-handed—with one of his favorite episodes of Casa Erotica.

▶️ Next Story: Bad Boy (Chico Malo)

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[robotpussy]

that aliyahsinterlude girl.... like sometimes she can be annoying but that's not a crime, and she has tweeted/said some kind of stupid things before but again... not a crime. but every month ppl are coming for her and like.... i kind of get it but also she hasn't done anything wrong but look cute!

i think part of the annoyance with her is her fans. when they see anyone dressing vaguely like aliyahsinterlude they start doing the "omg aliyahcore" shit like fluffy boot covers and miniskirts are not entirely HER THING i think she just stands out and was one of the first ppl to take part in the rise of these styles coming back again (although they never left) because she isn't the first or only one to dress this way, i could argue many ppl dress like her today whether they even knew of her or not....

but anyways this time some fashion company came out with a collection and she retweeted with "they should've asked me to model" and ppl arent taking too well because i guess they think its her claiming she invented the style (even tho she never said she did)